从栖霞山石窟所见南北朝佛教文化之关联  

Buddhist Cultural Connections in the Northern and Southern Dynasties:Insights from the Qixia Mountain Grottoes

作　　者：张惠娟 Zhang Huijuan(School of Social Development and Public Management,Suzhou University of Science and Technology,Suzhou 215009)

机构地区：[1]苏州科技大学社会发展与公共管理学院,苏州215009

出　　处：《西部学刊》2025年第8期62-65,共4页Journal of Western

摘　　要：南北朝是我国历史上南北政权对峙的时代,同时也是佛教兴盛发展并且广泛传播的时代。石窟艺术作为佛教文化的重要表现形式之一,在南北朝时期也得到了繁荣发展。虽然与北朝相比,南朝石窟的开凿规模普遍较小且保存数量有限,但栖霞山石窟作为南朝石窟艺术的珍贵遗存,可在一定程度上反映出南朝的佛教特征及艺术风格。此外,栖霞山石窟的建造过程与形制,以及造像主题也透露出南朝佛教与北方的关系密切,体现了南朝佛教与北朝佛教的文化联动。石窟造像形象的中国化也证明了每个民族的文化大部分都是由本民族的人民在实践过程中创造出来的,因而具有本民族的独特性。The Southern and Northern Dynasties was a period of confrontation between the northern and southern regimes in Chinese history,as well as a time of flourishing and widespread dissemination of Buddhism.As one of the important forms of Buddhist culture,grotto art also flourished and developed during the Southern and Northern Dynasties period.Although the excavation scale of the Southern Dynasty grottoes is generally smaller and the number of preserved grottoes is limited compared with those of the Northern Dynasty,the Qixia Mountain Grottoes,as a precious relic of Southern Dynasty grotto art,can to some extent reflect the Buddhist characteristics and artistic style of the Southern Dynasty.In addition,the construction process,design,and iconography of the Qixia Mountain Grottoes reveal a close relationship between Southern and Northern Dynasties Buddhism,reflecting cultural integration between the two dynasties.The sinicization of the grotto statues also proves that most of a nation’s culture is created by its people in practice,thus having unique national characteristics.

关 键 词：南北朝 石窟艺术 佛教文化 思想交流 

分 类 号：G12[文化科学] K87[历史地理—考古学及博物馆学]