鄂伦春族传统纹样在文创设计中的应用研究  

On the Application of Traditional Oroqen Patterns in Cultural and Creative Design

作　　者：闫天宝 张晓丽 袁绪鹏 Yan Tianbao;Zhang Xiaoli;Yuan Xupeng(School of Fine Arts and Design,Heihe University,Heihe 164300,China)

机构地区：[1]黑河学院美术与设计学院,黑龙江黑河164300

出　　处：《黑河学院学报》2025年第3期125-127,共3页Journal of Heihe University

基　　金：2024年度黑龙江省艺术科学规划项目“鄂伦春族传统图案艺术传承与创新研究”(2024D022);2022年度黑龙江省哲学社会科学研究规划项目“黑龙江流域渔猎民族传统手工技艺传承与创新研究”(22YSE450);2024年度黑河学院科研项目“黑龙江流域中俄旅游工艺品设计比较研究”(YSY202401)。

摘　　要：聚焦鄂伦春族传统纹样在文化创意设计中的运用及其产生的影响。鄂伦春族,自古以来便生活在黑龙江流域的这片土地上,其丰富的传统文化和独特的纹样资源,如同一座未被充分发掘的宝藏,现代文创设计从中发现了取之不竭的创意灵感和素材。这些传统纹样不仅承载着鄂伦春族的历史记忆与文化精髓,更以其独特的艺术魅力和深厚的文化内涵,成为连接传统与现代、民族与世界的重要桥梁。通过对鄂伦春族传统纹样的深入研究和分析,揭示这些纹样的文化内涵和艺术价值,并探讨它们在文创设计中的具体应用方法和创新策略。This study focuses on the application of traditional Oroqen patterns in cultural and creative design and the impact it generates.The Oroqen people have lived in the Heilongjiang River basin since ancient times,and their rich traditional culture and unique pattern resources are like an undiscovered treasure trove.Modern cultural and creative design has found inexhaustible sources of inspiration and materials from it.These traditional patterns not only carry the historical memory and cultural essence of the Oroqen people but also,with their unique artistic charm and profound cultural connotation,become an important bridge connecting tradition and modernity,ethnicity and the world.By conducting an in-depth study and analysis of traditional Oroqen patterns,the study reveals cultural connotation and artistic value of these patterns,and explores methods and innovative strategies for their specific application in cultural and creative design.

关 键 词：鄂伦春族 传统纹样 文创设计 

分 类 号：J524[艺术—艺术设计]