《彼得罗夫流感》:从文学到电影的空间隐喻重构  

The Spatial Metaphor Reconstruction from Literature to Film in The Petrovs in and Around the Flu

作　　者：吕天威 LV Tianwei(Xi'an International Studies University)

机构地区：[1]西安外国语大学,陕西西安710128

出　　处：《人文与社会科学学刊》2025年第1期8-15,共8页

基　　金：国家社会科学基金青年项目“万比洛夫戏剧对当代中国戏剧创作的启示价值研究”(项目编号:19CWW010)阶段性成果;西安外国语大学博士研究生科研基金项目“《流感周围的彼得罗夫一家》的后现代性研究”(项目编号:2021BS022)阶段性成果。

摘　　要：萨利尼科夫小说《彼得罗夫流感》通过多重空间隐喻揭示后苏联社会的个体身份危机和传统文化反思,谢列布连尼科夫电影《彼得罗夫的流感》则延续并重构了这一隐喻体系。基于列斐伏尔空间理论,分析两种媒介在空间隐喻建构中的延续与变异,探讨其互动关系,可以得知,小说通过语言的抽象性与符号化建构隐喻空间,电影则借助视觉化手段深化和扩展了空间隐喻文化批评的深度与广度。空间作为社会与文化批判的关键载体,在文学与影像的跨媒介对话中彰显了其叙事潜能和批评维度.Alexey Salnikov’s novel The Petrovs in and Around the Flu employs multiple spatial metaphors to reveal the crisis of individual identity in post-Soviet society and critically reflect on traditional culture.Kirill Serebrennikov’s film adaptation Petrov’s Flu extends and reconstructs this metaphorical system.Grounded in Henri Lefebvre’s spatial theory,this study examines the continuity and transformation of spatial metaphors across literary and cinematic media,exploring their interrelations.The analysis demonstrates that while the novel constructs metaphorical spaces through linguistic abstraction and semiotic structures,the film expands and deepens the cultural critique of spatial metaphors through visual representation.As a crucial vehicle for social and cultural critique,space manifests its narrative potential and critical dimension in the cross-media dialogue between literature and cinema.

关 键 词：《彼得罗夫流感》 阿列克谢·萨利尼科夫 空间隐喻 跨媒介改编 电影叙事 

分 类 号：I106[文学—世界文学]