“以气论艺”:汉魏书法与文学的理论交融  

‘On art by qi’:the theoretical blending of calligraphy and literature in Han and Wei dynasties

作　　者：张智涵 钱亮帆 王笛 Zhang Zhihan;Qian Liangfan;Wangdi(Yunnan University,Guangzhou Academy of Fine Arts)

机构地区：[1]云南大学,云南昆明650000 [2]广州美术学院,广东广州510000

出　　处：《人文与社会科学学刊》2025年第1期91-98,共8页

摘　　要：汉魏时期,无论是书法还是文学都有了一个较大的进步,相较于秦汉,这一时期文学上出现了所谓的文学自觉;书法上名家辈出,书体发展,碑刻与书帖数量增加等。而理论方面,文论与书论在这一时期也空前发展,臻于成熟。“气”在此时作为一个重要的节点,促进了文学与书法的交融.During the Han and Wei Dynasties,both calligraphy and literature have made great progress.Compared with the Qin and Han Dynasties,the so-called literary consciousness appeared in the literature of this period.There are many famous calligraphers,the development of calligraphy,the increase of inscriptions and book posts.In terms of theory,literary theory and calligraphy theory also developed unprecedentedly and matured during this period.As an important node at this time,‘Qi’promoted the integration of literature and calligraphy.

关 键 词：气 文论 书论 曹丕 王羲之 

分 类 号：J292.1[艺术—美术]