东西方绘画透视法差异及其在插画创作中的融合  

The Difference between Eastern and Western Painting Perspective and Its Integration in Illustration Creation

作　　者：蒋礼 Jiang Li(Accademia Nazionale di Belle Arti di Milano Brera,Milan,Italy)

机构地区：[1]意大利米兰布雷拉国立美术学院,意大利米兰20100

出　　处：《人文与社会科学学刊》2025年第1期185-193,共9页

摘　　要：本论文探讨东西方绘画透视法的差异及其在现代插画创作中的融合应用。透视法作为艺术创作中的重要技术手段,不仅影响画作的空间表现力,还深刻反映了不同文化背景下的审美观念与价值取向。东方绘画中,传统透视法以散点透视为主,强调表现画面意境与神韵,弱化物理空间的准确性,注重画面整体的抒情性和流动性,如中国水墨画的表现技法。西方绘画自文艺复兴时期开始,通过透视法数学化、规则化的发展,建立了一套包括单点透视、双点透视及多点透视等系统化理论,尤其强调真实空间的再现,使得绘画作品在视觉上更具立体感。东西方透视法历经岁月碰撞与交流,逐渐在现代插画中实现了一定程度的融合,插画作品的创意形式不断演变,透视法的多样化呈现成为可能。本文通过对当代插画中融合实例的分析,探讨东西方透视法融合的可能路径及对插画创作的积极影响。本研究旨在为艺术创作者提供一种视角、理论基础以及实际应用的方法,助力插画领域在全球化背景下的创新性创作.This thesis explores the differences between perspective in Eastern and Western painting and its integration and application in modern illustration creation.Perspective,as an important technical means in art creation,not only affects the spatial expression of paintings,but also profoundly reflects the aesthetic concepts and values in different cultural backgrounds.In oriental painting,traditional perspective is mainly based on scattered perspective,emphasizing the expression of the mood and charm of the picture,weakening the accuracy of the physical space,and focusing on the lyricism and fluidity of the picture as a whole,such as the expression technique of Chinese ink painting.Since the Renaissance,Western painting has established a set of systematic theories including single-point perspective,double-point perspective and multi-point perspective through the mathematical and regular development of perspective,especially emphasizing the reproduction of real space,which makes paintings visually more three-dimensional.Through years of collision and exchange between Eastern and Western perspective,a certain degree of integration has been gradually realized in modern illustration,and the creative forms of illustration works are constantly evolving,making the diversified presentation of perspective possible.Through analyzing the examples of fusion in contemporary illustration,this paper explores the possible paths of fusion between Eastern and Western perspective and its positive influence on illustration creation.This study aims to provide art creators with a perspective,a theoretical foundation and a method of practical application,which will help the creative creation in the field of illustration in the context of globalization.

关 键 词：东西方绘画 透视法 插画创作 文化融合 

分 类 号：J205[艺术—美术] J218.5