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作 者:杨珏倜 YANG Jueti(China West Normal University,Nanchong Sichuan,637000,China)
机构地区:[1]西华师范大学,四川南充637000
出 处:《文化创新比较研究》2025年第8期6-10,共5页Comparative Study of Cultural Innovation
摘 要:该文以2023年诺贝尔文学奖得主、挪威剧作家约恩·福瑟的作品为研究对象,聚焦其文学创作中贯穿性的“疏离感”主题。通过文本细读与叙事学分析方法,结合文学理论框架,系统考察疏离感在人物塑造、语言风格与场景建构中的三重维度。在人物层面,福瑟通过碎片化对话与动作间隙展现现代人存在的根本性孤独;在语言层面,极简主义文本与大量留白构成沉默的氛围;在场景层面,把作品场景放置在挪威峡湾和孤立海岛上,用海岛风光与重复叙事强化了人际疏离的永恒困境。福瑟通过疏离感这一主题,不仅创造了一种独特的戏剧美学,也为当代文学提供了反思人类存在困境的重要视角。This article focuses on the theme of"alienation"that runs through the works of Norwegian playwright Jon Fosse,the winner of the 2023 Nobel Prize in Literature.By using text close reading and narrative analysis methods,combined with literary theory frameworks,this study systematically examines the three dimensions of alienation in character shaping,language style,and scene construction.At the character level,Fosse portrays the fundamental loneliness of modern existence through fragmented dialogue and action gaps;at the linguistic level,minimalist texts and a large amount of blank space create a silent atmosphere;at the scene level,the work is placed on Norwegian fjords and isolated islands,using island scenery and repetitive narrative to reinforce the eternal dilemma of interpersonal alienation.Through the theme of alienation,Fosse not only created a unique dramatic aesthetics,but also provided an important perspective for contemporary literature to reflect on the difficulties of human existence.
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