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作 者:王祖友 燕飛 WANG Zuyou;YAN Fei(Taizhou University,China;Canadian Chinese W riters'Association)
机构地区:[1]泰州学院外国语学院 [2]加拿大中文作家協會
出 处:《人文与社科亚太学刊》2025年第1期9-15,共7页Asia-Pacific Journal of Humanities and Social Sciences
摘 要:燕飛,原名閆飛,亦名燕大俠,旅加作家,編輯家,現任加拿大中文作家協會會長,加拿大中文記者與編輯協會副會長。訪談中得知:燕飛是年少得志的作家,最爆火的作品都是寫女性的。年輕時他要給闖海女性樹碑立傳,寫她們悲歡離合的故事。他的代表作海南夢幻三部曲(《海南無夢》《海南驚夢》《海南尋夢》)曾風靡一時,是九十年代中期闖海文學的標誌性作品。燕飛曾擔任國内文學雜誌主編,和許多著名作家打過交道。他對文學創作、文學獎(特別是諾獎)、文學和生活的關係以及紀實文學與純文學的區別等發表了獨到見解。在討論中加文化差異時,他強調了社會主義中國的制度優勢。YAN Fei(燕飛),formerly known as Yan Fei(閆飛)and also referred to as Yan Daxia,is a writer and editor in Canada.He curently serves as the President of the Canadian Chinese Writers'Associaion and the vice president of the Canadian Chinese Journalists and Editors Association.The interview reveals that Yan Fei,a writer who has achieved early success,is most famous for his works focused on women.In his youth,he aimed to honor the pioneering women of the coastal areas by documenting their stories of joy and sorrow.His representative work,the Hainan Dream Trilogy("Hainan's Unfiulilled Dream","Hainan's Startling Dream",and"Hainan's Qyesting Dream"),was once extremely popular and became a hallmark of business literature in the mid-1990s.Yan Fei has also served as the chief editor of domestic literary magazines and has interacted with many renowned writers.He has shared his unique insights on literary creation,literary awards(especially the Nobel Prize),the relationship between literature and life,and the differences between documentary literature and pure literature.During the discussion,he emphasized the institutional advantages of socialist China when addressing cultural differences.
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