皖北木版年画的区域特色研究  

Research on the Regional Characteristics of Woodblock New Year Paintings in Northern Anhui

作　　者：马阳阳 MA Yangyang(School of Fine Arts and Design,Suzhou University,Suzhou 234000,China)

机构地区：[1]宿州学院美术与设计学院,安徽宿州234000

出　　处：《宿州学院学报》2025年第2期5-8,26,共5页Journal of Suzhou University

基　　金：安徽省哲学社科规划青年项目(AHSKQ2023D170)。

摘　　要：皖北木版年画行业在明清时期曾达到极盛状态,一度成为文化市场中炙手可热的行业。然而,随着全球化进程的加速,张贴传统木版年画的习俗逐渐淡化,木版年画市场日渐衰落。加之在世的老艺人和能够系统掌握木版年画制作技艺的传承人日渐减少,皖北木版年画正逐渐走向没落,成为一种亟待保护的非物质文化遗产。对皖北木版年画进行深入研究与保护,对于传承和发扬中华优秀传统文化具有重要意义。The woodblock New Year painting industry in northern Anhui reached its peak during the Ming and Qing dynasties,becoming a hot presence in the cultural market.However,with the acceleration of globalization,the custom of posting traditional woodblock New Year paintings has gradually faded away,and the market for woodblock New Year paintings is declining.In addition,with the decreasing number of living old artists and inheritors who can systematically master the production techniques of woodblock New Year paintings,woodblock New Year paintings in northern Anhui are gradually declining and becoming an intangible cultural heritage that urgently needs protection.Conducting in-depth research and protection of woodblock New Year paintings in northern Anhui is of great significance for inheriting and promoting the excellent traditional culture of the Chinese nation.

关 键 词：民俗文化 皖北 木版年画 创作艺术 

分 类 号：J218.3[艺术—美术]