对立与统一:论陆龟蒙编纂《松陵集》存在的问题  

Opposition and Unity:On the Problems of Lu Guimeng's Compilation of the Songlingji

作　　者：范夏勋 FAN Xiaxun(School of Humanities,Anhui Polytechnic University,Wuhu 241000,China)

机构地区：[1]安徽工程大学人文学院,安徽芜湖241000

出　　处：《宿州学院学报》2025年第2期60-63,78,共5页Journal of Suzhou University

基　　金：安徽省教育厅高校网络教育名师项目(sztsjh2024-7-7);安徽工程大学科研项目(112/K242022031)。

摘　　要：《松陵集》是唐代重要的唱和结集。作为唯一一部完整保存下来的唱和作品集,皮日休、陆龟蒙等人的《松陵集》在唱和史上有着重要的地位。然而,陆龟蒙整理编纂这部作品时,却在编纂标准、编纂动机方面呈现出不同程度的对立与统一。文本拟从“有意与无意的动机”“有序与无序的标准”以及标准问题的成因等方面展开论述,以说明陆龟蒙在编纂整理《松陵集》时存在的问题。Songlingji is an important singing and composition collection of the Tang Dynasty.As the only complete preserved collection of singing and music works,the Songlingji by Pi Rixiu,Lu Guimeng,and others holds an important position in the history of singing and music.However,when Lu Guimeng compiled this work,there were varying degrees of opposition and unity in terms of editing standards and motivations.This article intends to discuss the problems that Lu Guimeng faced in compiling and organizing the Songlingji from the perspectives of"intentional and unintentional motives","orderly and disorderly standards",and the causes of standard issues.

关 键 词：《松陵集》 陆龟蒙 编纂 动机 标准 原因 

分 类 号：I207.22[文学—中国文学]