重构中国传统画学体系的典范之作——读张琴、彭修银新著《中国画画体谱系整理与研究》  

A Model Work for Reconstructing the System of Traditional Chinese Painting Studies: On Reading the New Book Sorting out and Research on the Genealogy of Chinese Painting Styles by Zhang Qin and Peng Xiuyin

作　　者：王成国[1] WANG Cheng-guo(Chinese National Academy of Arts,Beijing 100029,China)

机构地区：[1]中国艺术研究院,北京100029

出　　处：《武汉理工大学学报(社会科学版)》2025年第1期136-139,共4页Journal of Wuhan University of Technology:Social Sciences Edition

基　　金：国家社会科学基金艺术学重大项目“中国传统艺术史知识体系研究”(21ZD08);教育部人文社会科学规划基金项目“中国画画体谱系整理与研究”(18YJA760081)。

摘　　要：张琴、彭修银新著《中国画画体谱系整理与研究》从古代中国画的具体实践出发,力主回到中国画的本体语言中,通过对线条、色彩、水墨的分析确立中国画的本质特性。立足于中国画的价值本位,辨析和清理传统画论中存在的“以体标体”“以家划体”“以宗列体”等乱象,重新建立起院体画、文人画、作家画的新风格系统与画家系统。The new book“Sorting out and Researching the Genealogy of Chinese Painting Styles”by Zhang Qin and Peng Xiuyin starts from the specific practices of ancient Chinese paintings and strongly advocates returning to the ontological language of Chinese paintings.By analyzing lines,colors,and ink wash,it establishes the essential characteristics of Chinese paintings.Based on the value standard of Chinese paintings,it discriminates and clears up the chaotic phenomena existing in traditional painting theories,such as“using a style to label a style”,“dividing styles according to artists’families”,and“listing styles according to schools”.It re-establishes a new style system and artist system for court paintings,literati paintings,and professional paintings.

关 键 词：中国画 笔墨 画体 谱系 

分 类 号：J222[艺术—美术]