论黄庭坚熏香诗中熏香意象功能的转变  

On the Transformation of the Function of Incense Imagery in Huang Tingjian's Incense Poems

作　　者：杨悦[1] 骆锦芳[1] Yang Yue;Luo Jinfang(Yunnan Normal University,Kunming Yunnan 650500,China)

机构地区：[1]云南师范大学,云南昆明650500

出　　处：《长沙民政职业技术学院学报》2025年第1期140-144,共5页Journal of Changsha Social Work College

摘　　要：中国用香的传统悠久,在先秦两汉时期已出现描写香的文学作品。香事在宋朝发展到顶峰,产生了一大批的文人用香。黄庭坚的诗歌以较高的艺术成就和变革精神受到人们的推崇。他创作的熏香诗不仅数量众多,并且成就突出。与同时期的诗歌作品相比,黄庭坚创作的熏香诗,通过诗歌创作实现了熏香意象从配角到主角、从寝室到书斋、从生活用香到赏香品香的艺术升华。而黄庭坚“熏香诗”中“熏香”意象转变与宋代社会追求雅致、文人阶级寻求身份认同以及黄庭坚的禅宗思想影响有关。黄庭坚将熏香的意境与诗人的情感相结合,推动了熏香文化的普及,丰富了文学作品的题材,形成一种独特的审美体验,提升了文学作品的审美价值。China has a long tradition of using incense,and references to it appear in the literature from as early as the Pre-Qin and Han dynasties.In the Song Dynasty,the development of incense reached its peak,producing a large number of literati using incense.Huang Tingjian's poetry is highly respected for its artistic achievement and spirit of reform.He created not only a large number of incense poems,but also outstanding achievements.Compared with the poems of the same period,Huang Tingjian's incense poems have realized the artistic sublimation of incense images from supporting role to protagonist,from bedroom to study,from living incense to appreciating incense through poetry creation.The transformation of the image of"incense"in Huang Tingjian's"incense poetry"is related to the pursuit of elegance in the Song Dynasty,the pursuit of identity by the literati class,and the influence of Huang Tingjian's Zen thought.Huang Tingjian combines the artistic conception of incense with the poet's emotion,promotes the popularization of incense culture,enriches the theme of literary works,forms a unique aesthetic experience,and enhances the aesthetic value of literary works.

关 键 词：黄庭坚 熏香诗 意象 转变 

分 类 号：I207[文学—中国文学]