本雅明回忆录《柏林童年》中的家宅空间书写  

The Spatial Writing on Dwelling in Benjamin’s Memoir Berlin Childhood

作　　者：傅琪[1] 尹孟飞 Fu Qi;Yin Mengfei(School of German Studies,Dalian University of Foreign Languages,Dalian 116044,China)

机构地区：[1]大连外国语大学德语学院,辽宁大连116044

出　　处：《洛阳师范学院学报》2025年第3期60-64,共5页Journal of Luoyang Normal University

基　　金：教育部人文社会科学研究青年基金项目(22YJC752003);辽宁省教育厅高校基本科研项目(JYTMS20230535)。

摘　　要：本雅明在其自传性回忆录《柏林童年》中,摒弃线性叙事传统,转而以空间为线索,对位于柏林西区的父母家和花园街的外祖母家进行了意象性空间书写,凸显了前者作为现代家宅和后者作为传统家宅的本质区别。相较于市民时期的经典传统家宅,资产阶级现代家宅失去“精神宅寓”的属性,表现出情感功能和精神价值上的异化与失位。本雅明由此以“家宅”为放大镜,审视“现代性”的种种弊端,揭示了潜隐在资本主义进步外表下的社会“衰变”。In the autobiographical memoir Berlin Childhood,Walter Benjamin abandons the tradition of linear narrative,employing spatial cues to conduct an imagistic spatial writing of his parents’home in West Berlin and his grandmother’s home on Garden Street.This approach highlights the essential differences between the former as a modern bourgeois dwelling and the latter as a traditional domestic space.Compared to the classic bourgeois homes of the civic era,the modern bourgeois home has lost its attribute as a“spiritual dwelling”,manifesting alienation and displacement in emotional function and spiritual value.Through the lens of“dwelling”,Benjamin examines the various drawbacks of“modernity”and reveals the underlying social“decay”beneath the facade of capitalist progress.

关 键 词：瓦尔特·本雅明 《柏林童年》 家宅 空间 现代性批判 

分 类 号：I106.4[文学—世界文学]