承传与新变: 陈运彰词学思想探微——以《双白龛词话》为中心  

Inheritance and Innovation:An Exploration of Chen Yunzhang’s Ci-poetry Thought——Focusing on Shuangbai Kan Cihua

作　　者：谭茜月 邱美琼 Tan Xiyue;Qiu Meiqiong(School of Chinese and Literature,Yunnan Normal University,Kunming 650500,Yunnan)

机构地区：[1]云南师范大学文学院,云南昆明650500

出　　处：《洛阳师范学院学报》2025年第3期65-69,共5页Journal of Luoyang Normal University

基　　金：国家社会科学基金一般项目(16BZW001)。

摘　　要：《双白龛词话》是陈运彰创作的一部词话著作,对旧体文学引起的声律之争、派别之争等问题都做出了回应。在创作上,陈运彰重视实践,主张词人应该自养性灵,严格遵循声律填词。在审美风格上,陈运彰排斥艳俗的词作,崇尚“雅正”的词风。在流派上,对清以来诸词派持辩证审慎的态度进行评判,反对“派别成见”。其中,重声律、尚雅正延续了常州词派的词学宗旨,显示出陈运彰对传统词学思想的继承,而大胆突破派别成见又得益于时代开放的风气,是陈运彰顺应时代的表现。Shuangbai Kan Cihua is a critical work on lyrics authored by Chen Yunzhang,who responds to issues such as the disputes over prosody and factionalism in traditional literature.In terms of creation,Chen Yunzhang emphasizes practice,advocating lyricists should cultivate their own spiritual nature and strictly follow the rules of prosody when composing lyrics.Aesthetically,he rejects vulgar and sensual lyrics,favoring a“refined and orthodox”style.Regarding schools of thought,he adopts a dialectical and cautious attitude towards the various ci-poetry schools since the Qing Dynasty,and opposes“sectarian prejudices”.His emphasis on prosody and advocacy for refined orthodoxy continue the poetic principles of the Changzhou School,demonstrating his inheritance of traditional poetic thought.Meanwhile,his bold breakthrough in overcoming sectarian prejudices is a result of the open spirit of the times and represents his adaptation to the new era.

关 键 词：陈运彰 《双白龛词话》 词学思想 实践性 忌俗尚雅 

分 类 号：I207.25[文学—中国文学]