敦煌遗画中的装饰纹饰在新中式服装中的创新应用  

Innovative application of decorative patterns in Dunhuang paintings in new Chinese style clothing

作　　者：杨青[1] YANG Qing(School of Art,Longdong University,Qingyang,Gansu 745000,China)

机构地区：[1]陇东学院艺术学院,甘肃庆阳745000

出　　处：《印染》2025年第4期88-91,共4页China Dyeing and Finishing

基　　金：教育部2022年青年基金项目“英藏敦煌遗画原始注记目录研究”(22YJCZH214);甘肃省2023年哲学社会科学规划项目“文化保护与可持续发展视角下的敦煌图案艺术传播与创新研究”(2023QN027)。

摘　　要：新中式服装是在传统服饰的基础上,通过现代设计手法的创新与拓展,形成的具有鲜明中华文化特色的服饰。现存的敦煌遗画由于长期的封存,避免了风化和腐蚀,使得画作中的形象、色彩以及题榜等元素都得以清晰保留,具有极高的图文研究价值。从敦煌遗画中的装饰纹样入手,探讨其文化背景、发展脉络和艺术特征,并分析这些纹样在新中式服装设计中的应用价值、形式特点、表现手法以及文化内涵。通过研究敦煌装饰纹样在新中式服装设计中的应用策略,旨在推动敦煌纹样的国际保护与传承,进一步提升我国传统文化在世界范围内的影响力。New Chinese style clothing is an innovative and developed clothing with Chinese characteristics based on traditional clothing combined with modern design methods.Due to long-term sealing,the Dunhuang paintings currently have not been weathered or corroded,and their visual images and colors,including inscriptions,are relatively clear,possessing great graphic and textual value.Starting from the cultural background,development context,and artistic characteristics of decorative patterns in Dunhuang paintings,the application value,formal characteristics,expressive techniques,and cultural connotations in the design of new Chinese style clothing are analyzed.It explores the application strategies of Dunhuang decorative patterns in new Chinese style clothing design,in order to promote the protection and inheritance of Dunhuang patterns at home and abroad,and enhance the international influence of traditional Chinese culture.

关 键 词：敦煌遗画 装饰纹样 服装设计 

分 类 号：TS941.2[轻工技术与工程—服装设计与工程]