技术利维坦:科幻电影视域下的智能媒介  

Techno-Leviathan:Intelligent Media through the Lens of Science Fiction Films

作　　者：许哲敏 XU Zhemin

机构地区：[1]闽南师范大学新闻传播学院,漳州363000

出　　处：《北华大学学报(社会科学版)》2025年第2期112-120,155,共10页Journal of Beihua University(Social Sciences)

基　　金：国家社会科学基金艺术学重大项目“比较视野下中国科幻电影工业与美学研究”(21ZD16)的阶段性研究成果。

摘　　要：随着智能媒介技术的迅猛发展,媒介的能动性日益凸显,对人类主体性构成了前所未有的挑战。在科幻电影中,媒介智能化后产生的形态远比现实丰富,呈现出一定的“技术利维坦”特质,其影响也更为强大和深远。这种“技术利维坦”式的能动性主要体现在四方面:其一,智能媒介“反客为主”的可能性,其从被人类掌控的对象转变为掌控人类的主体,表现出理智性、策略性、隐蔽性、爆发性四种特质;其二,智能媒介对权力的表征,涉及对媒介权力的归置与转移,这种权力更迭至少包括人类、媒介、非人类三重视角;其三,智能媒介对人类的反向驯化使人类的主体性面临深刻挑战。其四,智能媒介成为折射人性的镜子。在对这种能动性的探索中,科幻电影据此提醒人们:重视人的价值。With the accelerated evolution of intelligent media technologies,the agency of media has become increasingly pronounced,posing unprecedented challenges to human subjectivity.In science fiction films,the forms that media take after becoming intelligent are far more diverse than in reality,exhibiting certain characteristics of a“technological Leviathan”with more profound and far-reaching impacts.“Technological Leviathan”style agency is primarily manifested in four aspects:First,the potential reversal of the human-media hierarchy,wherein intelligent media transition from objects controlled by humans to controlling subjects,exhibiting four distinctive characteristics:rationality,strategic intentionality,concealment,and eruptiveness.Second,the representation of power dynamics involves the reconfiguration and transference of media power,encompassing at least three distinct perspectives:the human,the medium,and the non-human.Third,the counter-domestication of humans by intelligent media profoundly challenges human subjectivity.Fourth,intelligent media serves as a mirror reflecting human nature.Through these explorations of agency,science fiction films deliver a critical reminder:it is imperative to value human agency.

关 键 词：科幻电影 智能媒介 能动性 主体性 技术利维坦 

分 类 号：J90-05[艺术—电影电视艺术] TP18[自动化与计算机技术—控制理论与控制工程]