郑珍、莫友芝书法风格的异同及原因  

Similarities and Differences in Calligraphy Styles of ZHENG Zhen, MO Youzhi and their reasons

作　　者：李沅直 LI Yuanzhi

机构地区：[1]贵州师范大学贵州民间文献研究中心,贵州贵阳550025

出　　处：《安徽职业技术学院学报》2025年第1期60-66,共7页Journal of Anhui Vocational And Technical College

基　　金：2024年度国家社会科学基金项目“清水江流域赋役文书研究”(24XZS008)。

摘　　要：纵观整个清代贵州书法家群体,郑珍、莫友芝二人的成就显著。郑、莫二人的书法风格共同点在于三个方面,其一推崇苏轼笔意,其二擅长馆阁体书风,其三篆书多呈现出“二李”风格。而不同之处在于莫友芝认为书法创作“信碑不信帖”,郑珍则是帖学的坚守者。造成二人书风共同之处的原因首先在于接受了以馆阁体书法作为主要书法教学内容的官学教育,其次在文学与理学方面有相似的崇宋情结,此外二人的书法交游范围和对象均有不同,从而使得二人的书法创作有所不同。Throughout the Qing Dynasty among the whole group of Guizhou calligraphers, ZHENG Zhen and MO Youzhi have made remarkable achievements. Zheng and Mo's calligraphy styles have three aspects in common. first,they both highly respect Su Shi's brushwork, second, they are both good at Bureaucratic Script(Guangeti), third, their seal scripts often exhibit the styles of“the two Lis”. The difference is that MO Youzhi advocates for the stele-based tradition(bei xue), Zheng Zhen remained royal to the model-book tradition(tie xue). The reasons for the similarities in their calligraphic styles stem from their shared exposure to the Bureaucratic Script centered official education system, furthermore, they have similar admiration for the Song Dynasty in literature and Neo-Confucianism, and in addition, the circles and objects of their calligraphy interaction are different, which makes their calligraphy creations different.

关 键 词：郑珍 莫友芝 书法风格 异同 

分 类 号：J292.11[艺术—美术] K252[历史地理—历史学]