安妮·埃尔诺社会自传体作品中的边缘叙事研究  

On Marginal Narratives in Annie Ernaux’s Social Autobiographical Works

作　　者：苟迎迎 GOU Ying-ying(School of Literature and Media,Zhongyuan Institute of Science and Technology,Zhengzhou 450000,China)

机构地区：[1]中原科技学院文学与传媒学院,河南郑州450000

出　　处：《湖州职业技术学院学报》2025年第1期91-94,共4页Journal of Huzhou Vocational and Technological College

基　　金：2023年度中原科技学院科研培育项目“安妮·埃尔诺社会自传体作品中的女性身份困境研究”(ZIST2023D003)的研究成果之一。

摘　　要：法国女作家安妮·埃尔诺(Annie Ernaux)在其文学创作中,将“个人私密性”与“社会集体维度”相交织,构成了独特的“社会自传体”。安妮·埃尔诺往往以“我”“她”为叙述者,力图借个体展现广阔时代背景和社会环境下边缘群体的生存状况,具体涉及性别的边缘叙事、阶级的边缘叙事和代际冲突下年龄的边缘叙事等,以此达到将细腻真切的个人体验与宏大壮阔的时代社会风貌相融合的叙事效果。同时,安妮·埃尔诺在其社会自传体作品中对边缘群体的关注,突破了女性作家的传统叙事窠臼,使得作品具有了更多丰富的审美内涵。Annie Ernaux,a French female writer,interwines“personal intimacy”with“social collective dimension”in her literary creations,forming a distinctive“social autobiographical style”.Annie Ernaux often employs“I”and“she”as narrators,striving to reveal the living conditions of marginalized groups within a broad historical and social context through individuals specifically involving gender,class and age in intergenerational conflicts,in order to achieve a narrative effect that integrates delicate and authentic personal experiences with the grand and magnificent social landscape of the times.Furthermore,Annie Ernaux’s focus on marginalized groups in her social autobiographical works transcends the traditional narrative confines of female writers,endowing her works with richer aesthetic connotations.

关 键 词：安妮·埃尔诺 社会自传体 边缘叙事 

分 类 号：I106.4[文学—世界文学]