从《琴论》《琴经》看宋代琴书的托名现象  

An Analysis of the Pseudonym Phenomenon in Song-Dynasty Qin Books from Qin Lun and Qin Jing

作　　者：梁海燕[1] Liang Haiyan

机构地区：[1]中国人民大学国学院

出　　处：《国学学刊》2025年第1期44-53,139,共11页Research in the Traditions of Chinese Culture

基　　金：中国人民大学科学研究基金(中央高校基本科研业务费专项资金资助)项目“宋代乐府文献整理与乐府观念研究”(23XNA009)阶段性成果。

摘　　要：缘于古琴艺术在政教、审美两方面意义的强调,入宋后遂有假托名人的琴书行于世。谢希逸《琴论》、诸葛亮《琴经》就是其中的两部。谢庄的雅士风范,与诸葛亮的治世能臣形象,高度契合宋人对古琴兼具雅趣、治世两大功能的思想寄寓。明清琴学文献对谢庄名琴“怡神”“谢希逸造弦法”等的书写,与宋人对谢庄琴家身份塑造有关。世传诸葛亮作《琴经》教化西南夷族,作为民间流行的武侯故事之一,体现了中原礼乐文明向边疆地域的传播流布。关注琴书中的托名现象,对于了解宋代政治文化、文人文化以及雅俗文化的交融移易都是颇有意义的视角。Due to the emphasis on the significance of qin art in both political education and aesthetics,many qin books were falsely attributed to historical figures and circulated widely in the Song Dynasty.Qin Lun,attributed to Xie Xiyi,and Qin Jing,attributed to Zhuge Liang,are two notable examples.Xie Zhuang's refined scholarly demeanor and Zhuge Liang's image as a capable statesman align closely with the Song literati's dual vision of the qin as both an instrument of refined aesthetics and a tool for state governance.Ming and Qing qin-related texts,such as references to Xie Zhuang's renowned qin Yishen and "Xie Xiyi's String-Making Method," can be traced back to the Song literati's construction of Xie Zhuang's identity as a qin master.According to legend,Zhuge Liang authored Qin Jing as a means of educating southwestern ethnic groups.As part of the popular folklore surrounding Marquis Wu,this reflects the dissemination of Central Plains ritual and musical traditions to the frontier regions.Examining the phenomenon of pseudonymous attribution in qin books offers valuable insight into the political culture,literati traditions,and the interplay between refined and popular cultures in the Song Dynasty.

关 键 词：琴论 谢希逸 琴经 诸葛亮 托名 

分 类 号：J632.2[艺术—音乐]