红山文化晚期彩陶所见大凌河流域区域文化互动  

Cultural Interactions in the Daling River Basin Region as Observed in the Painted Pottery of the Late Hongshan Culture

作　　者：曲宇蒙 Qu Yumeng

机构地区：[1]中国人民大学历史学院,北京100872

出　　处：《文博学刊》2024年第6期104-112,共9页Journal of Archaeology and Museology

摘　　要：彩陶的器型和彩绘纹饰是反映史前区域文化传播的重要物质遗存。陶器因生产量和需求量大,耐用性差,更新换代快,常被用作衡量短期文化变迁的标尺。精细的陶器类型学分析是了解小范围区域文化互动的有效途径。近年来,基于牛河梁遗址地层学和陶器器型研究的红山文化晚期遗存再分期研究受到学界的关注。在此基础上,考察牛河梁周边地区红山文化晚期的彩陶纹饰,可以进一步探讨大凌河流域内部及其与老哈河流域之间可能存在的相互交流。以牛河梁为中心的彩绘筒形器文化传统在大凌河流域的扩散,为研究红山文化晚期区域文化整合进程和文明演进提供了依据。The shapes and painted patterns of painted pottery are important material remains that reflect the spread of prehistoric regional culture.Pottery is commonly used as sensitive yardstick for short-term cultural changes due to its high production intensity,poor durability,and rapid replacement cycle.A more refined typological analysis of pottery offers an effective way to understand cultural interactions within a small-scale region.In recent years,the re-periodization of the Late Hongshan culture remains,primarily guided by the stratigraphy of the Niuheliang site and the typology of pottery artifacts,has drawn attention from the academic community.On this basis,a comprehensive analysis of the painted patterns of pottery from the Late Hongshan culture in surrounding areas can further explore the possible cultural interactions and exchanges in the Daling River Basin and between it and the Laoha River Basin.The spread of the cultural tradition of the barrel-shaped painted vessels centered around Niuheliang in the Daling River Basin provided a basis for the process of regional cultural integration and the civilization evolution in the Late Hongshan culture.

关 键 词：红山文化晚期 彩陶 纹饰 大凌河流域 文化交流 

分 类 号：K871.13[历史地理—考古学及博物馆学]