消隐的体量:呼和浩特雕塑艺术馆设计  

Hidden Volume:The Design of the Hohhot Sculpture Art Museum

作　　者：吕昱达 徐永红 黄利利 张鹏举[2,3,6] LYU Yuda;XU Yonghong;HUANG Lili;ZHANG Pengju(Tongji University;Inner Mongolia University of Technology;Inner Mongolia Gongda Architectural Design Co.Ltd.;State Key Laboratory of Subtropical Building Science,School of Architecture,South China University of Technology;Dalian University of Technology;Tianjin University)

机构地区：[1]同济大学 [2]内蒙古工业大学 [3]内蒙古工大建筑设计有限责任公司 [4]华南理工大学建筑学院亚热带建筑科学国家重点实验室 [5]大连理工大学 [6]天津大学

出　　处：《世界建筑》2025年第3期176-180,共5页World Architecture

摘　　要：本文介绍了呼和浩特雕塑艺术馆的设计和思考过程。位于城市核心区的雕塑艺术馆,面对区域属性深化、景观衔接及生态适应等诸多层面的挑战,从特定环境入手,以“消隐的体量”为核心判断,继而通过一系列操作实现了对城市重要节点的积极衔接、景观肌理的自然过渡以及生态资源的被动利用,表达并深化了建筑的品质和内涵,同时成为呼和浩特市民休闲放松的理想场所。This paper introduces the design and thinking process of the Hohhot Sculpture Art Museum.Located in the heart of the city,the Sculpture Art Museum faces the challenges of deepening regional attributes,landscape connections,and ecological adaptations.Starting from the specific environment,with"hidden volume"as the core concept,a series of operations are carried out to realise the active connection of important urban nodes,the natural transition of landscape texture,and the passive utilisation of ecological resources.It expresses and deepens the quality and connotation of the building,and at the same time becomes an ideal place for Hohhot citizens to relax.

关 键 词：消隐 适应性 真实性 

分 类 号：TU242.5[建筑科学—建筑设计及理论]