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作 者:邓声国[1,2] Deng Shengguo
机构地区:[1]井冈山大学庐陵文化研究中心,江西吉安343009 [2]贵阳孔学堂高等研究院
出 处:《中华文化论坛》2025年第1期15-22,共8页Journal of Chinese Culture
基 金:国家社科基金项目“明代礼学思想研究”(项目编号:23BZX034)阶段性成果。
摘 要:明代的《丧服》诠释虽然处于一个“经学积衰时代”,但在学者及其著述的数量上却远超此前任何一个朝代。就文献诠释形态而言,这一时期的《丧服》诠释文献大致可以分为专门“丧服”类诠释文献、《仪礼》类诠释文献、《礼记》类诠释文献和三礼总义类诠释文献等四类,可谓丰富多样,而且诠释者们通过采用纂集体和集解体等诠释体例,呈现出集成式的研究风格。从著述体式角度考察来看,朱子礼学诠释色彩极其鲜明,而且各类删节体著作或者具有普及性的礼学读物开始出现并传播开来。从礼学家诠释的重点来看,在关注礼文词句诠释的同时,尤其重视相关服制礼文背后蕴含的礼意诠释。Although it was believed that the Ming Dynasty was at a“degenerating stage of Confucian classics studies”,the interpretation of“Sang Fu(丧服)”in this period have shown an exceeding increase in the number of scholars and works than any previous dynasty.As to types,the abundant concerned interpretive literature in this period can be roughly divided into four categories:the monographic interpretation to“Sang Fu”,the interpretation to Yi Li(仪礼),the interpretation to Li Ji(礼记)and the general interpretation to san li(三礼).Moreover,an integrated interpretive perspective emerged through the employment of formats like compilation and collection.As to the writing style,Zhu Zi’s interpretation has been highly praised to exert a profound influence,while different kinds of abridged editions and popular readings appeared and spread.As to the emphasis of interpretation,besides words and phrases,great concern has been given to the elaboration of the meaning behind texts.
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