修仙、栖隐与归根:传统“山水精神”的三面文化进程  

Cultivating Immortality,Dwelling in Seclusion and Returning to Root:The Three-Sided Cultural Process of Traditional“Landscape Spirit”

作　　者：王天乐 陈柏安 Wang Tianle;Chen Baian

机构地区：[1]中山大学艺术学院,广东广州510275

出　　处：《中华文化论坛》2025年第1期51-59,共9页Journal of Chinese Culture

基　　金：教育部人文社科研究青年基金项目“中国山水画隐逸叙事研究”(项目编号:24YJC760124);国家社科基金重大项目“中国山水美学话语西传路径及其影响研究”(项目编号:23&ZD232)的阶段性成果。

摘　　要：“山水精神”作为中国传统自然实践与生命哲学的价值核心,呈现出修仙求道、精神栖隐与乡土归根的三面文化进程。山水在上古时期是解释世界的中心对象,更是政治权力和修仙求道的神圣之场;伴随着人们的空间想象以及神仙哲学和堪舆学说的流行,山水成为士族阶级修仙求道的理想之地,也成为文人群体追求自由精神和隐逸生活的审美对象,山水艺术大放异彩;而存在主流山水审美之外的“村野僻壤”同时构成了山水文化的多面主题,大众对山水的理解最终回归到传统的家园理想和乡土意识,当代山水精神是对传统生存空间、伦理秩序和文化理念的强烈认同。山水精神的乡土化不但承续着人与自然共相发展的生命主题,也是当代促进民族和谐与文化认同的思想关键。As the core value of traditional Chinese natural practice and philosophy of life,“landscape spirit”presents a three-sided cultural process of cultivating immortality,mentally living in seclusion and returning to the earthbound root.In ancient times,landscape was the central object of the interpretation of the world,as well as the sacred field of political power and immortal cultivation.With the popularity of space imagination,immortal philosophy and feng-shui theory,landscape became the ideal place for the noble class to cultivate immortality and seek Dao,and it also became the aesthetic object of the literati group to pursue the free spirit and recluse life.The existence of“village and remote land”outside the mainstream landscape aesthetic also constitutes the multi-faceted themes of landscape culture.The public’s understanding of landscape eventually returns to the traditional homeland ideal and earthbound consciousness.The contemporary landscape spirit contains a strong recognition to the traditional living space,ethical order and cultural concept.The earthbound nature of landscape spirit not only carries on the life theme of the common development of human and nature,but also acts as the ideological key to promote national harmony and cultural identity in contemporary times.

关 键 词：山水精神 自然 审美 家园 乡土 

分 类 号：K203[历史地理—历史学]