朱彝尊《咏古二首》中的“古典”与“今典”  

The Ancient Allusions and the Contemporary Allusions in Zhu Yizun’s“Yong Gu Er Shou”

作　　者：王京州 Wang Jingzhou

机构地区：[1]暨南大学文学院,广东广州510632

出　　处：《中华文化论坛》2025年第1期60-66,共7页Journal of Chinese Culture

基　　金：国家社科基金重大项目“中国古代类书叙录、整理与研究(项目编号:19ZDA245)”的阶段性成果。

摘　　要：朱彝尊《咏古》其一的“古典”出自《史记·淮阴侯列传》,而《咏古》其二则与《册府元龟》所载祖孝隐“物议称美”事具有互文性。表面上诗酒风流的文人交游,背后可能潜藏着汹涌的暗流。朱彝尊与高士奇交游的短暂空白,虽然显示出二人之间的隔阂和较量,却并不能坐实《咏古二首》的隐刺对象。类书映照入诗歌,是朱彝尊《咏古》其二的“今典”,也是这组诗歌的最特别之处。关于《编珠》发现权的争议,有助于追索朱、高的交游实情,从而使得“祖孝征”影射的对象,变得更加真切可感。The“ancient allusions”in the first poem of Zhu Yizun’s Yong Gu sourced from the“Biography of Huaiyin Hou”in Records of the Historian,while the second poem shared an inter-textual connection with the story of“wu yi cheng mei”about Zu Xiaoyin,which was documented in Ce Fu Yuan Gui.A potential billowy undercurrent might hid beneath the surface of literati’s carefree socializing through poetry and wine.Though it might suggest estrangements and competition,the brief interaction gap between Zhu Yizun and Gao Shiqi could not be definitively identified as the target of the implicit satire in“Yong Gu Er Shou”.Incorporated encyclopedic references into poetry is the“contemporary allusion”in the second poem,as well as the most unique aspect of this suite of poems.The debate over the right of discovery of Bian Zhu provided clues for uncovering the actual situation of their interaction,which has also made the target of the allusion of“Zu Xiaozheng”more perceptible.

关 键 词：朱彝尊 《咏古二首》 高士奇 《编珠》 

分 类 号：I206[文学—中国文学]