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作 者:周林[1] Zhou Lin(Institute of Cultural and Natural Heritage,Nanjing University)
机构地区:[1]南京大学文化与自然遗产研究所
出 处:《湖北美术学院学报》2025年第1期22-40,共19页Hubei Institute of fine Arts Journal
摘 要:台北故宫博物院所藏中华瑰宝数十万件,尤以书画等最为精彩。其中碑帖约有1239种,虽数量不多但多为罕见的孤本善拓,其主要来源为清宫旧藏且大都集中在馆藏号故帖000001-000273,宋拓等则几乎全部集中在馆藏号故帖000001-000061,购赠等部分除《晋王羲之兰亭序宋拓本宋人摹萧翼辨才图合卷》外几无特别的善本,故暂且不论。时至今日,台北故宫博物院书画与古籍等领域的研究已深入开展,而善本碑帖则空白较多,故文章结合已公开的碑帖图片与《钦定石渠宝笈》等史料,对所藏宋拓本详加考证,以期全面恢复其面貌,为官方编纂《台北故宫博物院善本碑帖综录》及故宫博物院百年院庆碑帖展打下基础。The Taipei Palace Museum boasts a collection of hundreds of thousands of Chinese treasures,with paintings and calligraphy as the highlights.Among them,there are approximately 1,239 kinds of inscriptions and calligraphy rubbings,though not numerous,most of which are rare and unique fine rubbings.These rubbings primarily originate from the former Qing imperial collection and are mostly concentrated under collection numbers 000001-000273,with Song Dynasty rubbings almost entirely within the range of 000001-000061.As for acquisitions and donations,aside from the combined scroll of the Song Dynasty rubbing of Wang Xizhi's Preface to the Lanting Sequence and the Song Dynasty copy of the Portrait of Xiao Yi Debating with a Monk by a Scholar,there are few notable rare editions,and thus they will not be discussed here.To date,research in areas such as paintings,calligraphy,and ancient books at the Taipei Palace Museum,has been conducted extensively,yet there remain many gaps in the study of rare inscriptions and calligraphy rubbings.Therefore,this paper,combining publicly available images of the rubbings and historical materials such as the Imperially Authorized Stone Channel Treasure Collection,conducts a detailed examination of the Song Dynasty rubbings in the museum's collection,aiming to fully restore their appearance and lay the foundation for the official compilation of the Comprehensive Record of Rare Inscriptions and Calligraphy Rubbings in the Taipei Palace Museum and the exhibition marking the centenary of the Palace Museum.
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