《三希堂法帖》早期拓本特征新探  

Exploring the characteristics of early rubbings of the Sanxitang Calligraphy Anthology

作　　者：袁恩吉 Yuan Enji(Center for Collection Conservation,Shanghai Library)

机构地区：[1]上海图书馆典藏保护中心

出　　处：《湖北美术学院学报》2025年第1期61-67,共7页Hubei Institute of fine Arts Journal

摘　　要：《三希堂法帖》是乾隆早年官方编纂的一部大型历代丛帖,其中道光十九年(1839)以前所制作的早期拓本尤为珍贵。文章通过研究上海图书馆所藏两部《三希堂法帖》早期拓本,发现了过去仅见记载、不见实物的乾隆五十七年(1792)前拓本;还对早期拓本做了进一步分期,提出《三希堂法帖》最早期的拓本第三册无“新城行在题诗”、第十八册后的“壬子题识”最初刻于另石及两岸故宫的宫廷藏本主体的拓制时间可能较早,其中现有的“新城行在题诗”和“壬子题识”为后期抽换的观点。The Sanxitang Calligraphy Anthology is a large-scale collection of calligraphy compiled officially by Emperor Qianlong in his early years,with early rubbings produced before 1839(the 19th year of the Daoguang reign)being particularly valuable.By studying two early rubbings of the Sanxitang Calligraphy Anthology housed in Shanghai Library,this paper uncovers a previously only documented but unseen rubbing from before 1792(the 57th year of the Qianlong reign).It further classifies early rubbings and proposes that the third volume of the earliest rubbings lacks the“Poem Inscribed at Xincheng”,while the“Renzi Inscription”after the eighteenth volume was originally carved on a separate stone.Additionally,it suggests that the main rubbings of the court copies in the Palace Museum and the Taipei Palace Museum may have been made earlier,with the existing“Poem Inscribed at Xincheng”and“Renzi Inscription”being later replacements.

关 键 词：《三希堂法帖》 壬子题识 上海图书馆 

分 类 号：J292.1[艺术—美术]