论汉代彩绘画像石的施彩技艺  

On the coloring techniques of Han Dynasty painted stone reliefs

作　　者：赵曦[1] Zhao Xi(School of Fine Arts,Zhengzhou University)

机构地区：[1]郑州大学美术学院

出　　处：《湖北美术学院学报》2025年第1期107-114,共8页Hubei Institute of fine Arts Journal

基　　金：河南省哲学社会科学教育强省项目“南阳汉画像石建筑图像的空间布局在中国传统绘画中的传承与创新”,项目编号:2025JYQS1268。

摘　　要：汉代彩绘画像石的施彩方式和色彩构成是形成地域性色彩审美文化特征的基础信息,平视、多视和高视点的散点式构图所形成的色块对比和色块布局,是彩绘画像石视觉审美中产生装饰效果的重要内容,是华夏民族进一步完成传统色彩基因传承的实例。这些因素共同促使汉代彩绘画像石的视觉审美和社会政教功能达到和谐一致,并影响到中国传统绘画的色彩审美和平面构图。The coloring methods and color composition of Han Dynasty painted stone reliefs are the basic information forming the regional aesthetic cultural characteristics of color.The color block contrast and layout formed by horizontal,multi-view,and high-viewpoint scattered perspective compositions are important elements in the visual aesthetics of painted stone reliefs that produce decorative effects.They are examples of the Chinese nation further completing the inheritance of traditional color genes.These factors collectively contribute to the harmony between the visual aesthetics and social political and educational functions of Han Dynasty painted stone reliefs,and they influence the color aesthetics and flat composition of traditional Chinese painting.

关 键 词：汉画像石 雕刻 色彩 构图 题材 

分 类 号：K879[历史地理—考古学及博物馆学]