东亚宗教文学史上的《证道歌》  

The Song of Enlightenment in the History of East Asian Religious Literature

作　　者：王小盾[1] 郭昕怡 WANG Xiaodun;GUO Xinyi(School of Humanities,Wenzhou University,Wenzhou,China 325035)

机构地区：[1]温州大学人文学院,浙江温州325035

出　　处：《温州大学学报(社会科学版)》2025年第2期41-49,共9页Journal of Wenzhou University:Social Science Edition

基　　金：教育部人文社会科学重点研究基地重大项目(22JJD750039);温州大学侨特色研究重点项目(WDQT21-ZD003)。

摘　　要：永嘉大师玄觉所创作的《证道歌》,在公元8世纪初即产生了国际影响。这一方面由于它证道、弘法的内容,另一方面由于它采用了民间流行的歌唱之体,也就是以徒歌方式唱曲子之体。这种歌体不仅被后来释家广泛沿用,而且成为禅语录的渊薮。有鉴于此,今开设专栏,就这首歌辞在日本、越南、朝鲜半岛的传播,从文献学、历史学、文学史等角度加以深入讨论。The Song of Enlightenment composed by Master Xuanjue from Yongjia had international influence as early as the beginning of the 8th century.This is due,on the one hand,to its content of attaining enlightenment and spreading the Dharma,and on the other hand,to its use of a popular folk song form,which was a style of singing in a simple,chant-like manner.This song form not only was widely used by later Buddhists,but also became a source of Zen Buddhism quotations.In view of this,a special column is set up to conduct in-depth discussions on the dissemination of this song in Japan,Vietnam,and the Korean Peninsula from the perspectives of philology,history,and literary history.

关 键 词：《证道歌》 歌体 禅语录 传播 

分 类 号：I206[文学—中国文学]