永嘉玄觉《证道歌》日本注本七种叙录  

Seven Descriptions of the Japanese Annotated Versions of Yongjia Xuanjue’s The Song of Enlightenment

作　　者：李滔 LI Tao(School of Literature,Sichuan Normal University,Chengdu,China 610011)

机构地区：[1]四川师范大学文学院,四川成都610011

出　　处：《温州大学学报(社会科学版)》2025年第2期50-62,共13页Journal of Wenzhou University:Social Science Edition

基　　金：温州大学侨特色研究重点项目(WDQT21-ZD003)。

摘　　要：永嘉玄觉《证道歌》自平安时代传入日本后便受到日本佛教界人士的高度关注。无论在禅风大炽的“五山时期”,还是江户前期的禅宗复兴阶段,《证道歌》在各种佛教运动中都被视为弘法利器。对于《证道歌》这篇义理丰富、形式独特的歌辞,日本学者除借助中国注本理解其奥义外,也尝试自撰注本。所见十余种注本,多为江户、明治时期曹洞宗僧所作,各有特色,反映了《证道歌》在日本被接受和阐释逐步深化的过程,也彰显了《证道歌》在日本禅宗史上的重要地位和不俗影响。Yongjia Xuanjue’s The Song of Enlightenment has attracted significant attention from Japanese Buddhist scholars since its introduction to Japan during the Heian period.Whether it was during the“Five Mountains Period”when Zen Buddhism was flourishing or the early Edo period when Zen Buddhism was experiencing a revival,The Song of Enlightenment was regarded as a powerful tool for spreading Buddhism in various Buddhist movements.For this song,which is rich in meaning and unique in form,Japanese scholars not only relied on Chinese annotated versions to understand its profound meaning,but also attempted to write their own annotated versions.The existing Japanese annotated versions of The Song of Enlightenment are mostly composed by monks of the Caodong sect during the Edo and Meiji periods,each with its own characteristics.These versions reflect the growing acceptance and evolving interpretation of The Song of Enlightenment in Japan,highlighting its important position and profound influence in the history of Japanese Zen Buddhism.

关 键 词：永嘉 玄觉 《证道歌》 传道歌辞 中日禅宗 

分 类 号：I222.7[文学—中国文学]