“八仙”形象在徽州木雕中的流变与图像隐喻研究  

The Deformation of Images of “Eight Immortals” in Huizhou Woodcarvings and Their Metaphorical Meanings

作　　者：伍鹏飞[1] WU Peng-fei(Anhui Polytechnic University,Wuhu,Anhui 241000)

机构地区：[1]安徽工程大学,安徽芜湖241000

出　　处：《吉林艺术学院学报》2025年第1期18-25,共8页Journal of Jilin University of Arts

基　　金：安徽省高校人文社科重点项目“徽州木雕造型元素的当代转化与运用研究”(SK2020A0234)阶段性成果。

摘　　要：徽州木雕匠人依据文学、戏剧中“八仙”的描述以及其他民间美术图像,创造了类别丰富、形式多样的木雕“八仙”图像。“八仙”形象在徽州地域的广泛传播,有着脱胎于文学、戏曲创作、平面绘画的跨媒介图像特征,也存在从平面图像到立体造型转译上的明显差异。分析“八仙”形象造型流变的种种表现,探讨木雕图像投射出的社会文化观念,又分别从建筑空间环境的造型互动以及八仙故事的象征性两方面,讨论故事之外的图像隐喻,并由此分析徽州木雕图像的丰富文化内涵。Based on descriptions in literature and Chinese operas,as well as images in other folk arts,Huizhou folk craftsmen have created a variety of wooden images of the “eight immortals”.Such wooden images are diverse in styles,categories and forms,and have gained widespread currency in the Huizhou area.On the one hand,they are characterized by cross-media imagery derived from literature,opera and graphic painting.On the other hand,they exhibit clear differences in terms of the interpretation of plastic art.This paper will discuss the deformation of images of the “Eight Immortals” in Huizhou woodcarvings and explore the social and cultural connotations behind them.To be specific,the visual metaphor of the images will be discussed through their interaction with the architectural space environment and their symbolic meanings.Through the analysis,the paper shows the rich cultural connotation of Huizhou woodcarvings.

关 键 词：八仙 徽州木雕 造型 图像隐喻 

分 类 号：J314.2[艺术—美术]