江南题材钢琴作品演奏与音乐表现研究  

A Study of Artistic Interpretation and Expressive Embodiment in Jiangnan-Themed Piano Compositions

作　　者：龚璇 GONG Xuan(Zhejiang Conservatory of Music,Hangzhou,Zhejiang 310024)

机构地区：[1]浙江音乐学院,浙江杭州310024

出　　处：《吉林艺术学院学报》2025年第1期63-69,共7页Journal of Jilin University of Arts

基　　金：2023年浙江省教育厅一般科研项目“江南音乐素材钢琴作品创表合作教学研究”(Y202352380)阶段性成果。

摘　　要：中国钢琴音乐的百年创作与表演历程中,广泛吸收了各地民间音乐素材,通过地方音乐的标志性旋律、音色以及地方音乐审美风格等要素,形成了一批具有地域性风格特征的钢琴作品。对这些作品的演奏与音乐表现的准确认知在中国钢琴音乐表演研究领域具有学理性意义。在演奏江南题材钢琴作品时,把握其地域性旋律特色,准确诠释其中传统丝竹乐的“小、清、细、雅”音乐风格,以及模拟作品中戏剧性张力与“唱奏关系”等特征要点,既是呈现江南音乐神韵的关键,亦是对钢琴音乐中国化问题的实践探索。In the process of creation and performance over the past hundred years,Chinese piano music has widely absorbed folk music materials from various places.It formed a number of piano works with regional characteristics integrating the iconic melody,timbre and aesthetic elements of local music.The accurate cognition of the performance and musical expression of these works is significant for the development of Chinese piano music performance research.When performing Jiangnan-themed piano works,the performers grasp the melodic characteristics of the region,accurately interpret the “delicate,exquisite and elegant” musical style of traditional silk(string) and bamboo(wind) music,and simulate the dramatic tension and “singing relationship” in the works.This is not only the key to present the charm of Jiangnan music,but also a practical exploration of the Chinization of piano music.

关 键 词：江南音乐 钢琴演奏 音乐表演 

分 类 号：J624.1[艺术—音乐]