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作 者:程波涛[1] CHENG Botao(School of Arts,Anhui University,Hefei,Anhui 230039,China)
出 处:《贵州大学学报(艺术版)》2025年第2期82-87,共6页Journal of Guizhou University Art Edition
基 金:安徽省哲学社会科学规划项目“徽州传统手工艺的挖掘、整理与数据库建设研究”(项目编号:AHSKY2021D102)。
摘 要:绶带鸟作为一种传统民俗文化中常见的意象,因其外形与鸟名寓意吉祥、美好等文化诱因,国人便将绶带鸟图像融入伦理观念与求吉心理的诉求之中,随着时代的发展,其寓意和功能日渐得以层积与固化,由此,这一极富文化意涵的民俗图像便常常被应用到神话故事、文学创作和民俗美术之中。而在民俗应用、审美流变与文化传播的过程中,绶带鸟的象征意义得以加强,文化内涵和民俗功能得以延伸、拓展,尤其是与相关图像组合所衍生的意义叠加与构建,使其经常成为人们表达官运亨通、长寿富贵、福禄康宁等祈愿的特殊符号,并被国人广泛的接受、认同和沿用。In traditional folklore,the paradise flycatcher is a common image due to its auspicious and beautiful connotations associated with its appearance and name.Chinese people have integrated the image of the paradise flycatcher into their ethical concepts and pursuits of auspiciousness.With the development of the times,its connotations and functions have gradually got accumulated and consolidated.Therefore,this folklore image with rich cultural connotations is often applied in myths,literary creations and folk arts.In the application process of folklore,aesthetic transformation and cultural dissemination,and the symbolic meanings of the paradise flycatcher are strengthened.And its cultural connotations and folklore functions are extended and expanded,especially from the combination of these related images,the overlapping and construction of meanings have evolved,as it often becomes a particular symbol for people to express their wishes for official success,longevity and wealth,and happiness and peace,and thus it is widely accepted,recognized and used by Chinese people.
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