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作 者:李政晓 LI Zhengxiao(China New Literature Research Center,Nanjing University,Nanjing 210023,China)
机构地区:[1]南京大学中国新文学研究中心,江苏南京210023
出 处:《云南师范大学学报(哲学社会科学版)》2025年第2期145-156,共12页Journal of Yunnan Normal University:Humanities and Social Sciences Edition
基 金:教育部人文社会科学重点研究基地重大项目“社会发展与文学语言的演变”(16JJD750020)。
摘 要:在文学地理学视阈中,地理不再只是诗歌的抒情背景。在云南诗人的诗语构建中,地理逐步拥有了独特的文化内涵和精神指向。虽说在全球一体化的语境中,文学语言已走入世俗化和个人化的旋涡当中,使得文学难以塑造有效的地理群域特征,但云南诗人正在用原生态的自然语言、多声部的抒情语调、立体的语言地貌,抵抗这一现象。以自然拟态和地方语调表现出当下诗人对于“人-地”关系的思考,并搭建诗性地理和精神原乡的同构关系,以此抵抗由于缺少自然灵性与原始精神而导致的现代性焦虑;不断探索并触发异质化诗歌的文本机制,逐渐树立起西南诗歌高原的别样群像。跨过地理风景的表征,以诗人的语言地貌,可以勾勒出云南诗歌地理堪舆图,展现一个在场的、生动的文学地理学的活态样本,为困囿于地方书写的现象提供新视角。From the perspective of literary geography,geography is no longer merely the lyrical backdrop of poetry.In the linguistic construction of Yunnan poets,geography gradually acquires a unique cultural connotation and a distinct spiritual orientation.While the language of literature,in the context of globalization,has been drawn into the vortex of secularization and individualization,making it increasingly difficult to forge effective regional literary characteristics,Yunnan poets are actively resisting this trend through an unembellished natural language,a polyphonic lyrical tone,and a multidimensional linguistic landscape.By employing natural mimicry and local dialects,these poets reflect on the“human-land”relationship,constructing an isomorphic connection between poetic geography and a spiritual homeland.In doing so,they resist the anxiety of modernity caused by the lack of natural spirituality and a primitive spirit.They explore and activate the textual mechanisms of heterogeneous poetry,gradually shaping a distinctive collective image of the southwestern poetic highlands.Transcending the mere representation of geographical landscapes,the linguistic topography crafted by the poets delineates a literary-geographical map of Yunnan poetry,an immediate,dynamic living sample of literary geography that offers new perspectives on the challenges of regional writing.
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