基于CMFPSE模型的包豪斯椅子设计符形学研究  

A MORPHOLOGICAL SEMIOTIC STUDY ON BAUHAUS CHAIR DESIGN BASED ON THE CMFPSE MODEL

作　　者：于恩浩 李馥颖[1] YU ENHAO;LI FUYING

机构地区：[1]沈阳理工大学艺术设计学院

出　　处：《设计》2025年第6期111-115,共5页Design

摘　　要：基于CMFPSE模型与符号学理论,解析包豪斯椅子设计的符形学特征,拓宽产品设计文本表意研究维度。基于CMFPSE模型,通过跨学科案例分析法解构魏玛、德绍、柏林时期经典椅子的符号修辞逻辑。魏玛时期受工艺限制,聚焦手工艺美学探索;德绍时期钢管材料驱动工业化量产,形成功能显性表达;柏林时期通过材料符号改写转向隐性表意,CMFPSE模型揭示设计文本从技术显性到文化隐性的演进路径。研究构建产品符形学分析范式,提出基于CMFPSE模型的现代设计符形学解码策略,为设计符号学理论与实践的互构提供双重路径。Based on the CMFPSE model and semiotic theory,this study analyzes the morphological semiotic characteristics of Bauhaus chair design,expanding the dimensions of product design text interpretation.Using the CMFPSE model,the study employs an interdisciplinary case analysis approach to deconstruct the semiotic rhetoric of iconic chairs from the Weimar,Dessau,and Berlin periods.During the Weimar period,technological constraints led to a focus on craftsmanship aesthetics.The Dessau period saw the rise of industrial mass production driven by tubular steel materials,resulting in explicit functional expression.In the Berlin period,material symbolization shifted towards implicit meaning.The CMFPSE model reveals the evolutionary trajectory of design texts from technological explicitness to cultural implicitness.This study establishes an analytical paradigm for product morphology semiotics and proposes a modern design decoding strategy based on material and process symbolization.It offers a dual-path framework for the co-construction of semiotic theory and design practice.

关 键 词：CMFPSE模型 包豪斯 椅子设计 符形学 产品文本编写 

分 类 号：T-09[一般工业技术]