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作 者:曾锦阳 何蕊[1] ZENG JINYANG;HE RUI
机构地区:[1]西南林业大学艺术与设计学院
出 处:《设计》2025年第5期24-27,共4页Design
基 金:云南省哲学社会科学艺术科学规划项目重点项目“符号学视域下传承云南红色基因的创新设计研究”(A2022ZS02)阶段性成果。
摘 要:为助推云南长征国家文化公园建设,增强革命文物资政育人的作用,探究云南长征革命文物的陈列设计策略。对昆明、丽江、香格里拉的红军长征历史博物馆展开调研,归纳出云南长征革命文物陈列方式单一、重点不突出、有效信息传递较少的现状,针对陈列重点不突出的问题,探析“高潮”部分革命文物叙事主题、叙事情节、叙事结构的内容设计要素,以及叙事媒介、叙事手段的形式设计要素。提出依据叙事主题确立焦点文物、情节三要素下筛选叙事情节、内聚焦视角下组织叙事顺序,以及运用描述、抒情、议论、铺垫、对比来编排叙事媒介的陈列设计策略。叙事学理论有助于指导展览陈列焦点文物的确立、叙事内容提取与表现、形式设计的叙事表达。In order to boost the construction of Yunnan Long March National Cultural Park and enhance the role of revolutionary cultural relics mentor and education,the display design of Yunnan Long March revolutionary cultural relics is explored.Research was conducted on the Red Army Long March history museums in Kunming,Lijiang,and Shangri-La.The findings revealed that the current display methods for revolutionary relics related to the Long March in Yunnan are monotonous,with a lack of focus and limited effective information dissemination.In response to the issue of insufficient emphasis on key exhibits,an analysis was carried out on the content design elements of the narrative themes,storylines,and narrative structures of the"peak"sections of revolutionary relics,as well as the formal design elements of narrative media and techniques.Puts forward the display design strategy of arranging the narrative media by establishing the focus of cultural relics and the three elements of plot according to the narrative theme,screening the narrative plot under the three elements of plot,organizing the narrative order under the internal focus perspective,and arranging the narrative media by using description,expression,discussion,laying down and comparison.Narrative theory can help guide the establishment of exhibition focus cultural relics,the extraction and expression of narrative content,and the narrative expression of form design.
分 类 号:TP391.9[自动化与计算机技术—计算机应用技术]
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