基于意象转化理论的清代粉彩瓷服装设计研究  

RESEARCH ON THE DESIGN OF QING DYNASTY PINK PORCELAIN CLOTHING BASED ON IMAGE TRANSFORMATION

作　　者：李佳 王放豪 LI JIA;WANG FANGHAO

机构地区：[1]浙江理工大学服装学院

出　　处：《设计》2025年第4期76-80,共5页Design

摘　　要：粉彩瓷作为景德镇四大名瓷之一,历史底蕴深厚,纹样美感突出,色彩别具一格,具有浓厚的历史底蕴、人文风骨与设计应用价值。针对粉彩瓷就服装领域应用研究较少,地域文化难以转化输出、产品创新力不足等现实问题,通过运用“意象转化”理论,以粉彩瓷为对象,进行“意”“象”两维度,物质层、精神层、社会层三因子的元素提取,为设计提供应用素材。最后针对服饰的服饰物像象与霓裳语意将粉彩瓷元素嵌入其中,实现由瓷生衣、意象相通的设计创新。推动粉彩瓷的现代传承与跨载体语义输出,也为服装产品的文化内容表述与中式美学传播提供了新视角与实践指导。As one of the four famous types of Jingdezhen porcelain,pastel porcelain boasts a profound historical background,outstanding aesthetic patterns,and distinctive colors,possessing rich historical depth,cultural character,and design application value.In response to practical issues such as limited research on the application of pastel porcelain in the fashion industry,difficulties in transforming and exporting regional culture,and insufficient product innovation,this study employs the theory of"imagery transformation"with pastel porcelain as the subject.It extracts elements from the two dimensions of"meaning"and"image,"as well as the three factors of the material layer,spiritual layer,and social layer,to provide application materials for design.Finally,pastel porcelain elements are integrated into fashion imagery and clothing semantics,achieving a design innovation where clothing is inspired by porcelain and meaning and imagery are interconnected.This effort promotes the modern inheritance of pastel porcelain and cross-carrier semantic output,while also providing a new perspective and practical guidance for the cultural expression of fashion products and the dissemination of Chinese aesthetics.

关 键 词：意象转化 粉彩瓷 服装设计 设计方法论 传承与创新 

分 类 号：TS941.11[轻工技术与工程—服装设计与工程]