瓦莱里《年轻的命运女神》中的“自我”映照  

The Reflection of“Ego”in La Jeune Parque of Paul Valery

作　　者：邹卓倩 刘巍 ZOU Zhuoqian;LIU Wei

机构地区：[1]广东外语外贸大学西方语言文化学院法语系

出　　处：《法语国家与地区研究(中法文)》2025年第2期81-96,共16页Etudes Francophones

摘　　要：《年轻的命运女神》是保罗·瓦莱里搁笔沉思25年后重回诗坛的力作,其中蕴含的多层“自我”的意义对于把握其纯诗理论的哲学旨归相当重要。本文通过文本分析和主题分析解读诗中的象征,辅以诗学与哲学阐释,映照出三个意义层次:第一,命运女神融合了西方文学传统中的三重形象;第二,人物的意识分裂为“我”与“非我”,主导着诗人世界观中的矛盾;第三,命运女神象征着永恒普遍的“纯我”,即诗人不断定义的哲学目标。事实上,命运女神所处的矛盾代表瓦莱里的认识与存在焦虑,是诗人进行自我觉察、自我诘问与自我审视,并朝向纯诗与“纯我”前进的动力与契机。探究瓦莱里的自省意识,有助于更深入地阐释纯诗理论及其对中国新诗运动的影响。La Jeune Parque is the long poem that Valéry wrote when he returned to poetic creation after his 25-year-long contemplation.The multiple connotations of the“Ego”are particularly important for understanding the philosophical objective of Valéry’s theory of“pure poetry”.Using textual and thematic analysis as methods,and by means of poetic and philosophical interpretation,we decode symbols to reflect three levels of meaning:first,the Parque is the unity of three images in the Western literary tradition;second,the character’s consciousness is split into“Ego”and“nonego”,which underlies several ambivalences in the poet’s perception of the world;third,the Parque symbolizes the eternal and universal“moi pur”,the philosophical goal that the poet is always seeking to define.In fact,the ambivalences experienced by the Parque represent Valéry’s intellectual and existential anxiety and constitute the drive and opportunity for him to feel,question,reflect,and move towards“pure poetry”and the“moi pur”.This exploration of Valéry’s introspective consciousness enables a deeper interpretation of the theory of“pure poetry”and its influence on the Chinese New Poetry Movement.

关 键 词：保罗·瓦莱里 《年轻的命运女神》 自我 纯我 

分 类 号：I565.072[文学—其他各国文学]