杀手的三重身与夏穆瓦佐《我一直钟爱夜晚》中的马提尼克社会弊病  

The Killer’s Triple Identity and the Social Problems of Martinique in Patrick Chamoiseau’s J’ai toujours aimela nuit

作　　者：王彤 WANG Tong

机构地区：[1]华东师范大学外语学院

出　　处：《法语国家与地区研究(中法文)》2025年第2期97-109,共13页Etudes Francophones

摘　　要：夏穆瓦佐在《我一直钟爱夜晚》中反驳了侦探小说的理性主义传统,为悬疑罪案注入了克里奥尔色彩。本文以克里奥尔文化特质和侦探小说类型学为分析依据,旨在挖掘杀手主角“讲故事的人”“疯癫调查者”与“父亲”这三重身份的内涵,以期探究作者对当前马提尼克社会危机的思考。本文认为,夏穆瓦佐以杀手为线索人物,在呈现困于殖民遗产及全球化浪潮中的马提尼克社会的乱象之同时,也通过讽刺故事中“侦探”与“罪犯”的深层相似性,揭示了病态社会的自救之道:马提尼克人不能将振兴的希望寄托于无力或残暴的“父亲”身上,而是应当重建文化独立性和良性的教育关系,从而重塑社会秩序。In J’ai toujours aiméla nuit,Chamoiseau subverts the rationalist tradition embodied by detective fiction and infuses the crime story with Creole elements.With reference to Creole culture and the typology of detective fiction,this article shows that the construction of the killer’s triple role as“storyteller”,“mad investigator”and“father”represents Chamoiseau’s reflections on the social crisis in Martinique.This article elucidates that,taking the killer as the key character,Chamoiseau discusses the social problems faced by Martinicans who are trapped in the legacy of colonization and the new wave of globalization.This article also demonstrates that,with the revelation of the deep similarities between the“detective”and the“criminal”,Chamoiseau proposes a solution to these social problems:the weak or brutal“father”cannot embody the hope for revival of the society,and Martiniquais need to rebuild the social order by restoring cultural independence and fostering a postive educational tradition.

关 键 词：帕特里克·夏穆瓦佐 侦探小说 加勒比海法语文学 克里奥尔性 

分 类 号：I106[文学—世界文学]