数媒时代的共同体叙事:民族记忆的流行化创造  

The Community Narrative in the Era of Digital Media:The Creation of Popularized National Memory

作　　者：金永兵 张子墨 JIN Yongbing;ZHANG Zimo(Department of Chinese Language and Literature,Sun Yat-sen University,Guangdong,Guangzhou 510275;Department of Chinese Language and Literature,Peking University,Haidian,Beijing 100871)

机构地区：[1]中山大学中国语言文学系,广东广州510275 [2]北京大学中国语言文学系,北京100871

出　　处：《西藏大学学报(社会科学版)》2025年第1期127-134,共8页Journal of Tibet University

基　　金：2018年度国家社会科学基金重大项目“马克思主义文学理论关键词及当代意义研究”阶段性成果,项目号:18ZDA275。

摘　　要：数字技术为民族记忆的传承提供了一种全新的想象方式。在对文化记忆流行化的缔造过程中,它通过时空的融合体现了民族文化价值的永恒活性。同时,数字媒介也推动了个人的“交际记忆”向“文化记忆”的双向融汇,并通过数字互动成为情感联结。“国风潮流”则展示着当下民族文化媒介如何生产出流行文化产品。数媒时代的共同体叙事是通过文化记忆流行化所建构的一种动态书写,它在古与今、个人与集体、物质与文化间互融式生成中,不断激发多元一体中华文化的当代生命力。因此,充分认识和把握数字媒介对民族文化记忆流行化创造对于民族共同体叙事的巨大潜能以及存在的问题,将大大有助于在数媒时代铸牢中华民族共同体意识。Digital technology has provided a new way of imagining the transmission of national memory.In the process of creating popularized cultural memory,it first reflects the timeless value of national culture through the integration of time and space.At the same time,digital media also facilitates the merging of personal cultural memory from"communicative memory"to"cultural memory,"and through digital interaction,it becomes a form of emotional connection.Products like"Guochao"(national trend)demonstrate how contemporary cultural media produce popular cultural products.The narrative of the community in the digital media era is a dynamic composition constructed through the popularization of cultural memory,continuously revealing the vitality of the multi faceted and unified cultural landscape of the Chinese nation across the ancient and modern,individual and collective,material and cultural dimensions.

关 键 词：民族共同体 数字媒介 文化记忆 流行文化 全球化 

分 类 号：C955.2[社会学—民族学]