辽代音乐文化研究  

Research on the Music Culture of the Liao Dynasty

作　　者：王海玲[1] WANG Hailing(Conservatory of Music,Chifeng University,Chifeng 024000,China)

机构地区：[1]赤峰学院音乐学院,内蒙古赤峰024000

出　　处：《赤峰学院学报(哲学社会科学版)》2025年第3期5-9,共5页Journal of Chifeng University:Philosophy and Social Science Chinese Edition

基　　金：教育部人文社会科学研究西部和边疆地区项目“辽河流域音乐文化研究”(24XJA760001)。

摘　　要：辽代音乐文化融合了汉族、契丹族以及其他周边民族的音乐元素,具有独特的音乐风貌。本文旨在深入探讨辽代音乐文化的起源、发展、特色及其在历史长河中的影响。文章首先回顾了辽代的历史背景,分析了辽代音乐文化产生的社会环境和文化土壤。在此基础上,对辽代音乐的种类形式、乐器使用、礼乐制度、交流与融合等方面进行系统研究。同时还关注了辽代音乐的影响,辽代音乐不仅在当时广为流传,而且对周边民族和地区以及后世的音乐文化产生了深远影响,为中华民族音乐文化的发展作出了重要贡献。In the Liao Dynasty,its music culture integrated the musical elements of the Han ethnic group,the Khitan ethnic group,and other surrounding ethnic groups,presenting a unique musical style.This article aims to deeply explore the origin,development,characteristics of the music culture of the Liao Dynasty,as well as its influence throughout the long history.Firstly,it reviews the historical background of the Liao Dynasty and analyzes the social environment and cultural foundation for the emergence of the music culture of the Liao Dynasty.On this basis,a systematic study is conducted on various aspects of the music of the Liao Dynasty,including the types and forms of music,the use of musical instruments,the ritual and music system,as well as the exchanges and integration.At the same time,attention is also paid to the influence of the music of the Liao Dynasty.The music of the Liao Dynasty not only spread widely at that time but also had a profound impact on the music cultures of the surrounding ethnic groups,regions,and later generations,making important contributions to the development of the music culture of the Chinese nation.

关 键 词：辽代音乐文化 民族融合 音乐体系 文化传承 

分 类 号：K246.1[历史地理—历史学]