作为批评家的格非  

Ge Fei as a Literary Critic

作　　者：孙雅楠 Sun Yanan

机构地区：[1]内蒙古师范大学文学院,呼和浩特010022

出　　处：《文学理论前沿》2024年第1期182-210,共29页Frontiers of Literary Theory

基　　金：2023年度内蒙古自治区直属高校基本科研业务费项目“格非小说创作转型的‘中国化’策略研究”的阶段性研究成果(2023JBYJ008)。

摘　　要：集作家、教师、学者于一身的格非,其小说创作、知识教育与文学研究堪称三位一体。学者型作家格非的文学批评别具一格。他通过汲取中外文学理论的营养,指导自己的创作。反之,在大学授课和小说写作的过程中,格非也在实践并印证其批评理念。他的理论观点主要集中在《塞壬的歌声》《文学的邀约》《文明的边界》《小说叙事研究》内,散见于学术讲座、散文随笔和访谈之中,勾勒出以“时间的内核”“批评家的批评”“文学的真知”为主题的叙事理论。格非的文学批评呈现出独特的创作体悟,蕴含着教学与科研的真知灼见,还体现了他寸积铁累的学术素养和出类拔萃的思辨能力,为中国当代文学批评带来可资借鉴的范式。Ge Fei plays three roles:a writer,a teacher,and a scholar.This trinity seamlessly encompasses his fiction writing,intellectual education,and literary studies.As a scholarly writer,Ge Fei's literary criticism stands out distinctly.He consistently draws upon both Chinese and foreign literary theories to guide his creative work.This relationship is reciprocal,as he also puts his critical philosophy into practice during his lectures and fiction writing.Ge Fei's theoretical viewpoints find their main expressions in works such as The Song of Siren,The Invitation of Literature,The Borders of Civilization,and Studies in Novel Narrative.These viewpoints are not merely confined to his academic lectures,critical essays,and interviews,but also run throughout his formulation of narrative theories.These theories are rooted in concepts like“the kernel of time,”“criticism of the critic,”and“the true knowledge of literature.”His literary criticism unveils a distinct and unique creative insight.It not only emerges from his teaching and research experiences,but also reflects his accumulated academic knowledge and exceptional discernment.In this way,Ge Fei provides a model for contemporary Chinese literary criticism to follow and embrace.

关 键 词：学者型作家 格非 作家批评 文学创作 

分 类 号：I206.7[文学—中国文学]