从“中国学派”动画的民族风格到国产英雄系列动画的崛起  

From the National Style of the“Chinese School”Animation to the Rise of Domestic Hero Animation Series

作　　者：屈菁 Qu Jing(Northwest University)

机构地区：[1]西北大学

出　　处：《美术》2025年第4期50-53,共4页Art Magazine

基　　金：陕西省教育厅科研计划项目《20世纪“中国学派”动画创作群体研究》(项目编号:21JK0369)的阶段性研究成果。

摘　　要：本文探讨了中国动画电影从“中国学派”民族风格化范式向当代英雄系列动画转型的路径。中国动画通过经典IP重塑、平民英雄形象的塑造和神话体系建构,形成了具有鲜明时代特征的英雄叙事体系,既传承了水墨写意等民族美学基因,又开创了具有国际传播力的动画类型范式,彰显了中国动画产业的文化自信与核心竞争力的双重飞跃。This article discusses the transformation of Chinese animation from the national style of the“Chinese school”to today's hero animation series.Chinese animation has formed a hero narrative system with distinct characteristics of the era through reshaping classic IP,shaping ordinary heroes and establishing mythological systems.It has carried forward traditional aesthetics such as that of freehand ink paintings,and created an animation paradigm that is spread all over the world,demonstrating the enhanced cultural confidence and core competitiveness of the Chinese animation industry.

关 键 词：中国动画 民族风格 中国学派 英雄形象 

分 类 号：J954[艺术—电影电视艺术]