宣传、写生与本土西行——以广元为中心  

Publicity,Sketching and Westward Journey:With Guangyuan as the Center

作　　者：马萧 Ma Xiao(Academic Department,Tsinghua University Art Museum)

机构地区：[1]清华大学艺术博物馆学术部

出　　处：《美术》2025年第4期71-77,共7页Art Magazine

摘　　要：本文尝试在“本土西行”运动的理论框架中,管窥抗战时期的广元美术活动。因川陕公路通车和抗战爆发后的人员流动,广元的美术活动逐渐兴起。一方面,抗战宣传在广元广泛开展,外地艺术家、内迁学校及本地力量积极参与,通过墙报、漫画、话剧等形式激发民众爱国热情;另一方面,张大千、董希文等画家在广元的写生创作中出现了新的元素。这些活动将广元纳入了现代美术的发展进程之中。This article examines art activities in Guangyuan during the Chinese People's War of Resistance against Japanese Aggression(the War of Resistance)in the theoretical framework of the“westward journey”,which emerged because of the opening of the SichuanShanxi highway and the flow of people after the outbreak of the War.On one hand,the War was widely publicized in Guangyuan,with foreign artists,relocated schools and local people actively participating in and stimulating patriotism through wall newspapers,cartoons,dramas and other forms.On the other hand,painters including Zhang Daqian and Dong Xiwen added new elements to their sketches in Guangyuan.These activities have incorporated Guangyuan into the development of modern art.

关 键 词：本土西行 宣传 写生 现代转型 

分 类 号：J205[艺术—美术]