新金陵画派写生作品对传统山水画叙事角度的转换  

Narrative Transformation of Traditional Landscape Paintings in Sketches of the New Jinling School

作　　者：林苗苗 宋力 Lin Miaomiao;Song Li(China University of Mining and Technology,Beijing;Central Institute of Culture and Tourism Management;Jiangsu Traditional Chinese Painting Institute)

机构地区：[1]中国矿业大学(北京) [2]中央文化和旅游干部管理学院 [3]江苏省国画院

出　　处：《美术》2025年第4期90-95,共6页Art Magazine

摘　　要：新金陵画派为1949年以来的中国画发展树立了旗帜,是传统绘画现代化转型中极具代表性的案例。本文以新金陵画派写生作品为切入点,从不同层面分析写生对传统山水画现代转型起到的重要作用,其中指出,通过两万三千里的写生实践,新金陵画派用富有民族审美特色的手法创作出反映新时代建设的作品,在转换传统山水画叙事模式的同时有效拓展了中国画的表现维度。同时,写生使新金陵画派的作品与传统山水画、新年画拉开了距离,确保了具有新时代审美意义的山水创作格局,彰显了写生本身具有的鲜明的时代指向性。The New Jinling School has set a banner for the development of Chinese painting since 1949,and is a representative case in the modernization of traditional paintings.Based on the sketches of the New Jinling School,this article analyzes the important role of sketching in the modernization of traditional landscape paintings from different aspects.It points out that in the 23,000-mile sketching activity,the School has created paintings reflecting the development of China in the new era by adopting techniques with Chinese aesthetic characteristics,effectively expanding the expression of Chinese paintings while changing the narrative model of traditional landscape paintings.Moreover,because of the sketching activity,paintings created by the School have since then been different from traditional landscape paintings and new year paintings,which helped establish a landscape painting model with aesthetic significance in the new era and demonstrated the era-orientation of sketching.

关 键 词：新金陵画派 旅行写生 传统山水 现代化转型 主题性创作 

分 类 号：J212[艺术—美术]