现实主义视域下渔民水墨人物画的创作与反思  

Creation and Reflection of Fishermen Ink Paintings from the Perspective of Realism

作　　者：李金轩 Li Jinxuan(Shandong Normal University)

机构地区：[1]山东师范大学

出　　处：《美术》2025年第4期148-150,共3页Art Magazine

基　　金：国家艺术基金青年人才资助项目中国画方向《潮有信——趁得斜阳载满归》(项目编号:2023-A-06-030-585)的阶段性研究成果。

摘　　要：“现实主义”长久以来在国内文艺创作领域占据主流,其内涵与形态历经了重大变革,不过,也随之产生了认知困境与创作局限。新的时代呼唤“新现实主义”,以渔民为主题的水墨画创作,既是对现实主义的深刻反思,也是对新现实主义的积极探寻,其展现出艺术家应更多从个人视角切入日常现实,加强对新形式语言的运用与表达,彰显个人的立场和态度,由此为现实主义创作增添新的元素。“Realism”has long been the mainstream of literary and art creation in China.Its connotation and form have undergone great changes,which also brought cognitive dilemma and creation limitations.The new era calls for“new realism”.The creation of fishermen-themed ink paintings is not only a profound reflection on realism,but an active exploration of new realism.It shows that artists should depict daily life from an individual perspective,improve the application and expression of new forms of language,and demonstrate their positions and attitudes,thereby adding new elements to realistic creation.

关 键 词：现实主义 新现实主义 水墨 渔民题材 

分 类 号：J212[艺术—美术]