宏大叙事与诗性抒情——鲍加油画创作中的两种图像叙事模式  

Grand Narrative and Poetic Lyricism:Two Image Narrative Models in Bao Jia's Oil Paintings

作　　者：伍鹏飞[1] Wu Pengfei(School of Design,Anhui Polytechnic University)

机构地区：[1]安徽工程大学设计学院

出　　处：《美术》2025年第4期151-153,共3页Art Magazine

基　　金：安徽工程大学科研项目《徽州地域文化图像资源与美术创作研究》(项目编号:Xjky2022183)的阶段性研究成果。

摘　　要：从图像叙事的模式来看,鲍加的油画创作大致可以分为两种类型,一是中华人民共和国成立初期的革命历史题材油画创作;二是新时期以来以抒情风景画为主的创作。前者以宏大叙事表现革命历史和社会主义建设;后者以个体叙事与诗性语言表现现实生活和自然风光。两类作品虽在题材、色调、构图、意境方面不尽相同,却存在着深层的内在连接。鲍加关于两种图像叙事的探索为当代油画创作提供了可借鉴的创作模式,同时为中国当代油画创作的多样性作出了贡献。Oil paintings created by Bao Jia fall into two categories in terms of image narrative:revolution-themed,historical oil paintings in the early days of the People's Republic of China and lyrical landscape paintings since the new era.The former presents revolutionary history and the development of socialism with grand narrative,whereas the latter depicts real life and natural landscape with individual narrative and poetic language.These two types are deeply connected despite differences in themes,colors,compositions and artistic conceptions.Bao Jia's exploration in this regard have provided contemporary oil painting creation with a model that can be learned,and have made contributions to the diversity of oil paintings in China.

关 键 词：鲍加 油画 宏大叙事 诗性抒情 

分 类 号：J213[艺术—美术]