論“倉頡悟門”--以中國古代文字和書迹中的“鳥蟲”遺象爲中心(上)  

On the So-called“Cang Jie's Enlightenment”(Cangjie Wumen倉頡悟門)——A Discussion Centred on the“Bird and Insect”(Niaochong鳥蟲)Motifs in Ancient Chinese Characters and Calligraphic Specimens(Part)

作　　者：陳志平 CHEN Zhiping

机构地区：[1]華南師大学美術學院

出　　处：《书法研究》2025年第1期5-22,195,共19页Chinese Calligraphy Studies

基　　金：教育部重大攻關项目“中國歷代書法资料整理研究與資料庫建设”(項目批准號:21JZD044)的研究成果。

摘　　要：先民造字與“結繩而爲網罟,以佃以漁”有關,正是在仰觀俯察的過程中,“繩文鳥迹”進入了先民的视野,最终发明了“書”和“契”。“鳥飛蟲爬”成爲能够感知文字之“形”、書契之“迹”和書法之“势”的經典喻象。與“鳥形”“鳥势”的具象相區别,“蟲”更多引向“迹”的聯想,并抽象化爲一般性的筆畫綫條。“蟲迹”具有婉轉性、速綿性、自然性和深入性的特徵,這催生了“雕蟲篆刻”“入木三分”“雏畫沙”等書法觀念的诞生。事實表明,成熟之後的文字書迹曾經與天地萬物特别是“鸟獸之文”和“鸟獸之迹”发生過普遍的聯係。The creation of Chinese characters by ancient ancestors was closely related to the practice of"knotting ropes to form nets and snares for hunting and fishing".Through observing celestial patterns and terrestrial phenomena,the"patterns of knotted cords and bird tracks"entered their field of vision,ultimately leading to the invention of"writing"and"notched tallies".The metaphorical imagery of "the flight of birds and crawling of insects"became a classic analogy for perceiving the form of characters,the traces of writing,and the momentum of calligraphy.Unlike the concrete associations of"bird shapes"or"bird-like momentum",the concept of"insects"leans more toward abstract associations with"traces",evolving into generalized brushstroke lines.The characteristics of"insect traces"such as sinuosity,continuity,naturalness,and depth gave rise to calligraphic concepts like"carving insect-like seal scripts","penetrating three-tenths into wood",and"engraving with an awl in sand".Historical evidence shows that mature writing systems maintained a universal connection with the natural world,particularly the"patterns of birds and beasts"and their traces.

关 键 词：倉頡悟門 書契 鳥蟲 形 迹 

分 类 号：J292.1[艺术—美术]