元祐黨禁與蘇軾書迹的禁毁與流傳  

The Banning of the Yuanyou Party and the Prohibition,Destruction and Circulation of Su Shi's Calligraphy

作　　者：周一凡 ZHOU Yifan

机构地区：[1]清華大学人文學院中文系

出　　处：《书法研究》2025年第1期67-82,197,共17页Chinese Calligraphy Studies

摘　　要：北宋自哲宗親政起至徽宗末年的元祐黨禁,對元祐黨人不僅實施政治上的贬謫,在學術、文藝上也進行全面的打壓。蘇軾等元祐舊黨在哲、徽兩朝的遭遇學界已多有討論,而蘇軾書法在黨禁中如何被禁毁、如何被保存,尚鮮有專文論及。論文就蘇轼書法在元祐黨禁中的禁毁、留存以及黨禁後的流傳情况進行討論,認爲雖然元祐黨禁中對于蘇軾書迹的針對性禁毁,客觀上限制了蘇軾書法的流傳,但蘇轼的書法仍因其獨特的藝術價值,成爲書法史上不可替代的經典。From the reign of Emperor Zhezong to the end of Emperor Huizong's reign in the Northern Song dynasty,the Yuanyou Party was banned,not only imposing political demotion on its members but also comprehensively suppressing them in the scholarly and literary realms.There has been much discussion in the academic community about the vicissitudes of Su Shi and other members of the Yuanyou Party during the reigns of Zhezong and Huizong but there are still very few specific studies of how Su Shi's calligraphy was both banned and preserved when the party was banned.This article discusses the prohibition,preservation and circulation of Su Shi's calligraphy during the ban on the Yuanyou Party.It is believed that although the targeted prohibition of Su Shi's calligraphy objectively limited the circulation of Su Shi's calligraphic works,Su Shi has been an irreplaceable classic figure in the history of calligraphy due to the artistic value of his work and his personal charm.

关 键 词：元祐黨禁 蘇軾書迹 禁毁 流傳 

分 类 号：J292.2[艺术—美术]