創作、複製舆收藏:中古中国寫本書法表現的高峰  

Creation,Reproduction and Collecting in Medieval China:Calligraphic Autographs at their Zenith

作　　者： 張兢業 DE LAURENTIS;ZHANG Jingye

机构地区：[1]廣州美術學院

出　　处：《书法研究》2025年第1期116-137,198,共23页Chinese Calligraphy Studies

摘　　要：在中國,印刷文化的普及尚未導致寫本製作質量普遍下降的11世纪以前,尤其是在中古时期(3世纪至10世纪),無論從数量上還是質量上,寫本文化達到了空前绝後的高峰。一方面是佛教信仰促進了寫本的大量製作,另一方面是書法藝術因爲士大夫的喜愛而獲得了十足的发展,不僅楷書、行書和草書臻于成熟,而且逐渐形成了主導後世書法史脉絡的“二王”系統。論文旨在分析中古时期寫本文化如何影響了書法藝術在创作、收藏和複製等方面的发展。結合其他文明的寫本文化與書法傳统的情况,論文探索了中國書法之所以在中古时期達到高峰的基本條件和原因。Chinese handwriting culture,both in terms of quantity and quality,reached its zenith in the medieval period(between the third and the tenth centuries),before the broad diffusion of printing culture in the eleventh century caused a general decline in the quality of manuscript production.On the one hand,Buddhism stimulated the mass production of manuscripts.On the other,calligraphy art experienced remarkable development due to affection by literati.In this way,not only did the standard,semi-cursive and cursive scripts reach maturity,but also the"Two Wangs"calligraphic system was gradually established,dominating the history of Chinese calligraphy era afterera.This article analyses the multifaceted influence of medieval handwriting culture on the evolution of calligraphy art with a focus on calligraphic creation,reproduction and collecting.Furthermore,this article examines the fundamental conditions and factors that contributed to the zenith of medieval Chinese calligraphy,while considering the manuscript cultures and calligraphic traditions ofothercivilizations.

关 键 词：中古中國 寫本文化 書法創作 書法收藏 書法複製 

分 类 号：J292.1[艺术—美术]