知识统战与沈从文抒情话语的重构  

The United front of knowledge and the reconstruction of Shen Congwen's lyric discourse

作　　者：李永东[1] 向宇新 Li Yongdong;Xiang Yuxin

机构地区：[1]西南大学文学院

出　　处：《文学与文化》2025年第1期17-25,共9页Literature and Culture Studies

基　　金：国家社科基金项目“半殖民与解殖民的中国现代文学研究”(项目号:20BZW138)阶段性成果。

摘　　要：全面抗战爆发后,“下江人”在湘西聚集、流散,形成了开放性的地方知识生产语境,“知识”所承担的功能逐渐向民族国家抗战敞开。在湘西知识与下江知识的流动、交互关系中,沈从文的湘西书写呈现出“知识统战”的新风貌。随着沈从文的拟想读者转向战时“国民”,他的文学创作致力于以知识塑造真实的湘西。在“知识统战”的过程中,沈从文有意对前期创作中的抒情话语进行锻造与改换,形成了“抒情一政治”的创作倾向,并赋予其政治远景意义。但抒情话语与知识书写并未顺畅对接,而显示出整体化、抽象化的创作特性,体现了沈从文对战时文艺体用价值的独特认知。After the outbreak of all-out War of Resistance against Japanese Aggression,people from Xiajiang began to gather and disperse in Xiangxi(i.e.the Western Hunan Province),forming an open context of local language.The newly formed language usage began its service for the nation's efforts in the Anti-Japanese War.Shen Congwen's writings of Xiangxi created the new style of“unite front of language knowledge”,presenting what were happening in Xiajiang and Xiangxi among people's movement and communication.His literary creation tried to depict the real Xiangxi in the war period.He devoted his literary creation to the depiction of real Xiangxi when he targeted his readers to the wartime“nationals”.In forming the knowledge united front,he deliberately reinforced and modified the lyrical discourse of his early creation,nurtured the creative tendency of“lyric-politics”,and endowed it with political perspective significance.However,the lyrical discourse did not match the knowledge writing properly,and showed a tendency of integrated and abstract creation,reflecting Shen Congwen's unique cognition of the value of literature,art and sports in the wartime.

关 键 词：沈从文 知识统战 抒情 下江 湘西 

分 类 号：I206.6[文学—中国文学]