羌族释比戏辨析  

An Analysis of Shibi Drama of Qiang Ethnic Minority

作　　者：李祥林[1] Li Xianglin

机构地区：[1]四川大学中国俗文化研究所

出　　处：《文学与文化》2025年第1期96-107,共12页Literature and Culture Studies

基　　金：教育部人文社科基金项目“作为文化遗产和民俗艺术的羌戏研究”(项目编号:17YJA850004)的阶段性成果。

摘　　要：“释比戏”是羌族民俗艺术,与释比、释比经、释比法事相关,无论表演形式还是艺术风格,都表现出古朴原始的特征。这种文艺形式,既包括第一人称的代言体扮演,也有第三人称的说唱体剧本;既有从释比经文直接演化而来者,也包括以释比主持仪式活动为主的民间戏剧。本文结合文献和田野,对羌族释比戏的名实、定位、分类等进行了辨析和阐述,希望有助于学界进一步探讨,以更好地理解、把握和研究多民族中国的羌族戏剧文化遗产。Shibi drama is a folk art of Qiang ethnic minority and is related to Shibi,Shibi scriptures and Shibi religious rites,showing the ancient and primitive features both in performance and artistic style.This form of literature and art contains the first-person performance and the third-person narrative,both evolved directly from the Shibi scriptures or from the folk drama with Shibi presiding over the ceremonies.Based on the literature and the field study,this article makes an analysis about the concept,entity,position and classification of Shibi drama of Qiang ethnic minority,in hope of the further academic exploration and understanding of the Qiang's cultural heritage among the multi-ethnic China.

关 键 词：释比戏 释比 释比经 端公戏 羌族民俗艺术 

分 类 号：J825[艺术—戏剧戏曲]